Criticism > Contemporary Literary Criticism > Gardner, John (Edmund) - The New Yorker
Gardner, John (Edmund) - The New Yorker
THE NEW YORKER
["A Complete State of Death" is a] superior crime story with a superior hero. The story has to do with a masterminded transatlantic syndicate that operates a finishing school for talented would-be criminals on a big estate near London, and with a looming graduation-day caper. The hero, whose destiny it is to uncover this technological triumph, is a Scotland Yard inspector who stands well apart from his fellows…. He is brilliant at his job, impatient of regulations, and so loathes crime that his interrogations often end in blows and bruises. Mr. Gardner shows us this complicated man from every aspect, and he emerges, in the old-fashioned sense, as a character—credible, understandable, and commanding.
A review of "A Complete State of Death," in The New Yorker, Vol. XLV, No. 34, October 11, 1969, p. 204.
[The entire page is 150 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Francis Hope
- Anthony Boucher
- Elizabeth J. Howard
- Anthony Boucher
- Dorothy B. Hughes
- The Times Literary Supplement
- Reginald Herring
- Allen J. Hubin
- The New Yorker
- The Critic
- Best Sellers
- The Times Literary Supplement
- Vincent J. Colimore
- The Times Literary Supplement
- Charles Nicol
- Marguerite Young
- Marghanita Laski
- Kirkus Reviews
- Joni Bodart
- Charles G. Blewitt
- Newgate Callendar
- Marghanita Laski
- Gene Lyons
- Francis Gavin
- Thomas Bedell
- Newgate Callendar
- Kirkus Reviews
- Jessica Mann
- HENRY McDONALD
- Edward Cline
- Jessica Mann
- Paul Stuewe
- Stanley Ellin
- Robin W. Winks
- John A. Barnes
- Reginald Hill
- Roger Manvell
- Kirkus Reviews
- Anatole Broyard
- Mel Watkins
- Copyright
