Criticism > Contemporary Literary Criticism > Figes, Eva - RONALD DeFEO
Figes, Eva - RONALD DeFEO
RONALD DeFEO
Since writers of fiction are creators themselves one would think that they could easily invent convincing portraits of artists. Yet this is hardly the case. Too frequently the writers, composers and painters depicted in fiction seem oddly removed from their work. Though they may spring to life as people and though their work may take on a certain reality, their actual involvement in the process of creation rarely comes across. (p. 706)
Eva Figes's short, carefully measured novel Light records one day in the life of Claude Monet at his beloved Giverny, and one of its chief virtues is that it makes believable the artist's immersion in his art. Here there is no question of distance; from the beginning of the book the artist and his cause are bound together…. During the course of the book Figes only briefly describes Monet in the actual process of painting. In fact, though his presence is always felt, Monet himself appears only...
[The entire page is 580 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- Kenneth Allsop
- B. A. Young
- Robert Nye
- Charles D. Pipes
- Kenneth Graham
- Jonathan Raban
- Kathy Mulherin
- Edwin Morgan
- Mary Borg
- Paddy Kitchen
- Peter Ackroyd
- Timothy Mo
- Valentine Cunningham
- Margaret Cole
- Paddy Kitchen
- Peter Ackroyd
- Peter Lewis
- The Economist
- Gerda Cohen
- Louise Barnden
- Susan Bolotin
- D. M. Thomas
- A. Alvarez
- Kathryn Sutherland
- Miranda Seymour
- Joyce Carol Oates
- Jascha Kessler
- RONALD DeFEO
- Maureen Howard
- Copyright
