Contemporary Feminist Criticism - Copyright Page

ISSN 0091-3421

Volume 180

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Janet Witalec

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Janet Witalec

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Tom Burns, Jenny Cromie, Kathy D. Darrow, Jeffrey W. Hunter, Justin Karr, Lemma Shomali

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Contemporary Literary Criticism, Vol. 180

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Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CLC, VOLUME 180, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

American Literature, v. 61, December 1989. Copyright 1989 by the Duke University Press. Reproduced by permission.— Arizona Quarterly, v. 47, winter, 1991 for “‘Signs Too Deep for Words’: Mysteries of Need in Marilynne Robinson’s Housekeeping” by George Toles. Copyright © 1991 by the Regents of the University of Arizona. Reproduced by permission of the publisher and the author.—Biography, v. 23, spring, 2000. Copyright 2000, by Biography. Reproduced by permission.—Boundary 2, v. 20, spring, 1993. Copyright © 1993 by Duke University Press. Reproduced by permission.— Canadian Literature, no. 132, spring, 1992 for “A Trick with a Glass: Michael Ondaatje’s South Asian Connection” by Chelva Kanaganayakam; no. 132, spring, 1992 for “Destructive Creation: The Politicization of Violence in the Works of Michael Ondaatje” by Christian Bök. Copyright 1992, by Canadian Literature. Both reproduced by permission of the respective authors.—College Composition and Communication, v. 46, October, 1995 for “Toward Postmodern-Feminist Rhetoric and Composition” by Elizabeth A. Flynn. Copyright © 1995 by the National Council of Teachers of English. Reproduced by permission of the publisher and the author.—Contemporary Literature, v. 41, spring, 2000. Copyright © 2000 The Board of Regents of the University of Wisconsin System. All rights reserved. Reproduced by permission.— Critical Inquiry, v. 25, winter, 1999 for “Critical Response I: What Ails Feminist Criticism? A Second Opinion” by Robyn Wiegman. Copyright © 1999 by Robyn Wiegman. Reproduced by permission of the author.—Critique, v. 30, winter, 1989;

  • v. 40, spring, 1999. Copyright © 1988, 1999 by Helen Dwight Reid Educational Foundation. Both reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—Essays in Literature, v. 16, spring, 1989; v. 19, fall, 1992. Copyright 1989, 1992 by Western Illinois University. Both reproduced by permission.—Essays on Canadian Writing, no. 53, summer, 1994; no. 67, spring, 1999. Copyright 1994, 1999 by Essays in Canadian Writing. Both reproduced by permission.—French Review, v. 64, February, 1991; v. 67, December, 1993; v. 68, October, 1994; v. 69, May, 1996. Copyright 1991, 1993, 1994, 1996 by the American Association of Teachers of French. All reproduced by permission.—Harper’s, v. 306, February, 2003. Copyright © 2003 by Harper’s Magazine. All rights reserved. Reproduced by permission.—Literature Film Quarterly, v. 28, 2000. © Copyright 2000 Salisbury State College. Reproduced by permission.—Los Angeles Times Book Review, November 19, 1989; April 11, 1991; June 21, 1991; October 19, 1995. Copyright, 1989, 1991, 1995 by Los Angeles Times. All reproduced by permission.—Maclean’s, v. 115, September 9, 2002. © 2002 by Maclean’s Magazine. Reproduced by permission.—Middle East Journal, v. 42, summer, 1988. Reproduced by permission.—Modern Fiction Studies, v. 37, winter, 1991. Copyright © 1991 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University.—Mosaic, v. 32, September, 1999. © Mosaic 1999. Acknowledgment of previous publication is herewith made.—New Statesman, v. 129, May 8, 2000; v. 132, February 17, 2003. © 2000, 2003 Statesman & Nation Publishing Company Limited. Both reproduced by permission.—New York Review of Books, v. 47, November 2, 2000. Copyright © 2000 Nyrev, Inc. Reproduced with permission from The New York Review of Books.— Paris Review, v. 41, fall, 1999. © 1999 The Paris Review, Inc. Reproduced by permission of Regal Literary, Inc., as agent for The Paris Review.—Prairie Schooner, v. 75, spring, 2001. © 2001 by University of Nebraska Press. Reproduced from Prairie Schooner by permission of the University of Nebraska Press.—Publishers Weekly, v. 249, March 4, 2002. Copyright 2002 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—Research in African Literatures, v. 21, winter, 1990. Copyright © 1990 Indiana University Press. Reproduced by permission.—Review of Contemporary Fiction,
  • v. 16, spring, 1996. Reproduced by permission.—Saturday Review, v. 8, January, 1981. © 1981 General Media International, Inc. Reproduced by permission.—Signs, v. 14, autumn, 1988 for “History, Critical Theory, and Women’s Social Practices: ‘Women’s Time’ and Housekeeping” by Thomas Foster. Copyright 1988 by The University of Chicago. All rights reserved. Reproduced by permission of the author.—South Atlantic Review, v. 56, January, 1991. Reproduced by permission.— Studies in Canadian Literature, v. 21, 1996; v. 22, 1997. Copyright by the respective authors. Both reproduced by

    • permission of the editors.—Times Literary Supplement, no. 4478, January 27-February 2, 1989; no. 4550, June 15, 1990; no. 4603, June 21, 1991; no. 4785, December 16, 1994; no. 5001, February 5, 1999; no. 5065, April 28, 2000; no. 5079, August 4, 2000; no. 5133, August 17, 2001. © The Times Supplements Limited 1989, 1990, 1994, 1999, 2000, 2001. All reproduced from The Times Literary Supplement by permission.—Tulsa Studies in Women’s Literature, v. 21, spring, 2002 for “Feminist Futures?” by Elizabeth Grosz; v. 21, spring, 2002 for “Feminism, Ethics, and History; or, What Is the &lsd‘Post’ in Postfeminism?” by Misha Kavka. © 2002, The University of Tulsa. Both reproduced by permission of the publisher and the author.—University of Toronto Quarterly, v. 67, summer, 1998. © University of Toronto Press 1998. Reproduced by permission of University of Toronto Press Incorporated.—Washington Post Book World, v. 11, January 11, 1981 for “Everything in Its Place” by Carolyn Banks. © 1981, Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission of the author.—Women’s Studies in Communication, v. 24, spring, 2001. Reproduced by permission.—Women’s Studies, v. 20, 1992. Copyright 1992 by Gordon and Breach, Science Publishers SA. Reproduced by permission.—World Literature Today, v. 65, winter, 1991; v. 66, autumn, 1992; v. 67, spring, 1993; v. 68, autumn, 1994; v. 69, autumn, 1995; v. 70, spring, 1996; v. 72, autumn, 1998; v. 73, spring, 1999; v. 74, summer, 2000. Copyright 1991, 1992, 1993, 1994, 1995, 1996, 1998, 1999 by the University of Oklahoma Press. All reproduced by permission of the publisher.—Yale French Studies, no. 83, June 1993 for “Politics and Literature: An Interview with Tahar Ben Jelloun” by Thomas C. Spear. Copyright © Yale French Studies 1993. Reproduced by permission of the publisher and the author./v. 97, 2000. Copyright © Yale French Studies 2000. Reproduced by permission.

    COPYRIGHTED MATERIAL IN CLC, VOLUME 180, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

    Jouve, Nicole Ward. From “Hélène Cixous across the Atlantic: The Medusa as Projection?” in Traveling Theory: France and the United States. Edited by Ieme van der Poel and Sophie Bertho. Fairleigh Dickinson University Press and Associated University Presses, 1999. Copyright © Associated University Presses, Inc. Reproduced by permission.—Messer-Davidow, Ellen. From Disciplining Feminism: From Social Activism to Academic Discourse. Duke University Press, 2002. Copyright © Duke University Press. All rights reserved. Reproduced by permission.—Robbins, Ruth. From Transitions: Literary Feminisms. Palgrave, 2000. Reproduced by permission of Palgrave Macmillan.—Watkins, Susan. From Twentieth-Century Women Novelists: Feminist Theory into Practice. Palgrave, 2001. Copyright © Susan Watkins. All rights reserved. Reproduced by permission.

    PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 180, WERE RECEIVED FROM THE FOLLOWING SOURCES:

    Jelloun, Tahar Ben, photograph by Russell Christopher. Corbis Ripa. Reproduced by permission.—Ondaatje, Michael, photograph by Christopher Fever. Corbis. Reproduced by permission.

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