Criticism > Contemporary Literary Criticism > Christie, Agatha (Vol. 12) - Ralph Partridge
Christie, Agatha (Vol. 12) - Ralph Partridge
RALPH PARTRIDGE
Is any bowler more dreaded by the batsmen of detection than Mrs. Christie? Towards Zero will get a great many wickets, or I'm heavily mistaken in the acumen of my friends. Halfway through the book I've asked them "Who did it?" Three-quarters way through I ask them again—and the names they reluctantly murmur are never the same both times. It is not a trick of Mrs. Christie's: it's her devilish art. There are about six subjects in Towards Zero, and she focuses our attention on each in turn. Some look too guilty; some look too innocent. Some have an opportunity, but where's the motive? Some have a motive, but where's the opportunity? So it goes on. The reader wobbles and wavers, and shrinks from a decision: and Mrs. Christie quietly bowls you out…. [The] struggle to coach victims against Mrs. Christie is utterly hopeless.
The scene of the murder in Towards Zero is a country house by an estuary on the South Coast. I...
[The entire page is 278 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- William Rose BenéT
- Proteus
- I. M. Parsons
- Will Cuppy
- Nicholas Blake
- Ralph Partridge
- Will Cuppy
- Gilbert Norwood
- Ralph Partridge
- Rupert Hart-Davis
- Isaac Anderson
- Ralph Partridge
- Rose Feld
- Edmund Wilson
- Robert Kee
- Anthony Boucher
- Anthony Boucher
- Anthony Boucher
- Anthony Boucher
- Sumi Yamashita
- Marcia Keller
- Anthony Lejeune
- Howard Haycraft
- Eric Shorter
- MARGOT PETERS and AGATE NESAULE KROUSE
- Dick Datchery
- Francis Wyndham
- Peter Prescott
- Adam Ulam
- Julian Barnes
- Julian Symons
- Emma Lathen
- J. C. Trewin
- Naomi Bliven
- E. F. Bargainnier
- Julian Symons
- David I. Grossvogel
- Copyright
