Criticism > Contemporary Literary Criticism > Christie, Agatha (Vol. 12) - Gilbert Norwood
Christie, Agatha (Vol. 12) - Gilbert Norwood
GILBERT NORWOOD
Mrs. Christie is known to all connoisseurs of detective stories as beyond comparison the finest practitioner of this delightful craft. She should long ago have received the Order of Merit, as having given more and richer pleasure to the English-speaking race than all other living persons, except perhaps Mr. [Charlie] Chaplin, Mr. [George Bernard] Shaw and Mr. [P. G.] Wodehouse. It is marvellous that anyone should invent a new method of putting experienced readers off the scent, but almost beyond belief that this should be done repeatedly by one writer: in The Man in the Brown Suit, Peril at End House, Lord Edgware Dies. Death on the Orient Express, as in no other stories, she has invented an entirely new device, and the new device has been different each time. The point of course is that, readers being so sophisticated and alert, it is not enough to (deceptively) clear the real criminal in their eyes: the frightfully difficult task is somehow...
[The entire page is 287 words long]
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- Introduction
- William Rose BenéT
- Proteus
- I. M. Parsons
- Will Cuppy
- Nicholas Blake
- Ralph Partridge
- Will Cuppy
- Gilbert Norwood
- Ralph Partridge
- Rupert Hart-Davis
- Isaac Anderson
- Ralph Partridge
- Rose Feld
- Edmund Wilson
- Robert Kee
- Anthony Boucher
- Anthony Boucher
- Anthony Boucher
- Anthony Boucher
- Sumi Yamashita
- Marcia Keller
- Anthony Lejeune
- Howard Haycraft
- Eric Shorter
- MARGOT PETERS and AGATE NESAULE KROUSE
- Dick Datchery
- Francis Wyndham
- Peter Prescott
- Adam Ulam
- Julian Barnes
- Julian Symons
- Emma Lathen
- J. C. Trewin
- Naomi Bliven
- E. F. Bargainnier
- Julian Symons
- David I. Grossvogel
- Copyright
