Criticism > Contemporary Literary Criticism > Cathedral Carver, Raymond - Michael Wm. Gearhart (essay date Fall 1989)
Cathedral Carver, Raymond - Michael Wm. Gearhart (essay date Fall 1989)
Michael Wm. Gearhart (essay date Fall 1989)
SOURCE: "Breaking the Ties That Bind: Inarticulation in the Fiction of Raymond Carver," in Studies in Short Fiction, Vol. 26, No. 4, Fall, 1989, pp. 439-46.
[In the essay below, Gearhart traces the differences between the original story, "The Bath," and Carver's revision of the same story, "A Small, Good Thing."]
Raymond Carver has been widely acknowledged as a short story writer whose glimpses into the lives of "everyday" people have made him a master of the genre. The typical Carver character is a down-and-out blue-collar type familiar with the trauma of marital infidelity, alcoholism, and financial hardship. As critics have thoroughly noted, these characters share an inability to articulate their frustrations in words which causes their social, moral, and spiritual paralysis: "each new moment can bewilder a character, freeze him or her into a confusion of inaction. Carver … is famous...
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Criticism
- Paul Gray (review date 19 September 1983)
- Joseph G. Knapp (review date 31 December 1983)
- James W. Grinnell (review date Winter 1984)
- Patricia Schnapp (review date Summer 1985)
- Mark A. R. Facknitz (essay date Summer 1986)
- Eugene Goodheart (essay date 1987)
- Keith Cushman (essay date 1988)
- Arthur M. Saltzman (essay date 1988)
- Adam Meyer (essay date Summer 1989)
- Michael Wm. Gearhart (essay date Fall 1989)
- Arthur A. Brown (essay date Winter 1990)
- Nelson Hathcock (essay date Winter 1991)
- Ewing Campbell (essay date 1992)
- Randolph Paul Runyon (essay date 1992)
- Kirk Nesset (essay date Spring 1994)
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