Criticism > Contemporary Literary Criticism > Cathedral Carver, Raymond - Mark A. R. Facknitz (essay date Summer 1986)
Cathedral Carver, Raymond - Mark A. R. Facknitz (essay date Summer 1986)
Mark A. R. Facknitz (essay date Summer 1986)
SOURCE: "'The Calm,' 'A Small Good Thing,' and 'Cathedral': Raymond Carver and the Rediscovery of Human Worth," in Studies in Short Fiction, Vol. 23, No. 3, Summer, 1986, pp. 287-96.
[In the following essay, Facknitz compares "The Calm," "A Small Good Thing," and "Cathedral," arguing that these stories represent unique attempts by Carver to create acceptance, closure, and connection among his characters.]
Raymond Carver is as successful as a short story writer in America can be. The signs of his success are many: prestigious and ample grants, publication in the best literary quarterlies and national magazines, and, from all appearances, an unperturbed ability to write the kind of stories he wishes to write. By contrast, the causes of his success are ambiguous. Carver's writing is often facile, and one might argue that he has chanced upon a voice that matches a jaded audience's...
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- Introduction
- Principal Works
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Criticism
- Paul Gray (review date 19 September 1983)
- Joseph G. Knapp (review date 31 December 1983)
- James W. Grinnell (review date Winter 1984)
- Patricia Schnapp (review date Summer 1985)
- Mark A. R. Facknitz (essay date Summer 1986)
- Eugene Goodheart (essay date 1987)
- Keith Cushman (essay date 1988)
- Arthur M. Saltzman (essay date 1988)
- Adam Meyer (essay date Summer 1989)
- Michael Wm. Gearhart (essay date Fall 1989)
- Arthur A. Brown (essay date Winter 1990)
- Nelson Hathcock (essay date Winter 1991)
- Ewing Campbell (essay date 1992)
- Randolph Paul Runyon (essay date 1992)
- Kirk Nesset (essay date Spring 1994)
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