Dec 31, 2009
SOURCE: A review of The Book of Nods, in Library Journal, Vol. 111, No. 7, April 15, 1986, p. 84.
[In the following brief review, Guillory praises Carroll's ability to shock readers with incongruous images in The Book of Nods.]
Carroll’s prose poems (or “nods”) are like verbal equivalents of Dali’s paintings: a man vomits the hands of a clock (in “Silent Money”) and a cat jumps into a mirror (in “Watching the Schoolyard”). But these incongruities quickly lose their shock value, and Carroll sometimes fails to create a meaningful context for his images. More successful are his conventional lyric poems. In “A Night Outing,” for example, the poet admires “the way still grey water / Throws the moon / … right back at itself.” “New York Variations” and “California Variations” amount to interlocking meditations on urban landscapes “where diesel trains pass...
[The entire page is 174 words long]
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