Butler, Octavia - Introduction
Octavia Butler 1947–
(Full name Octavia Estelle Butler) American novelist, short story writer, and essayist.
The following entry presents an overview of Butler's career. For further information on her life and works, see CLC, Volume 38.
INTRODUCTION
Best known as the author of the Patternist series of science-fiction novels, which involves a society whose inhabitants have developed telepathic powers over several centuries, Butler explores themes that have been given only cursory treatment in the genre, including sexual identity and racial conflict. Butler's heroines are black women who are powerful both mentally and physically. While they exemplify the traditional gender roles of nurturer, healer, and conciliator, these women are also courageous, independent, and ambitious. They enhance their influence through alliances with or opposition to powerful males. Butler has earned many accolades, including a Hugo Award, a Nebula Award, and a Locus Award, all for her 1985 novella, "Bloodchild," which was later published in the collection Bloodchild and Other Stories (1995).
Biographical Information
Butler spent her youth in a racially mixed neighborhood in Pasadena, California. Her father died when she was very young, and her mother worked as a maid to support the two of them. Butler has written memoirs of her mother's sacrifices, which included buying Butler a typewriter of her own when she was ten years old, and paying a large fee to an unscrupulous agent so Butler's stories could be read. Butler entered student-writing contests as a teenager and, after attending such workshops as the Writers Guild of America Clarion Science Fiction Writer's Workshop in 1970, she sold her first science-fiction stories. This early training brought her into contact with a range of well-known science-fiction writers, including Joanna Russ and Harlan Ellison, who became Butler's mentor.
Major Works
Four of Butler's novels—Patternmaster (1976), Mind of My Mind (1977), Survivor (1978), and Wild Seed (1980)—revolve around the Patternists, a group of mentally superior beings who are telepathically connected to one another. These beings are the descendants of Doro, a

Critical Reception
Critics applaud Butler's lack of sentimentality, and respond favorably to her direct treatment of subjects not previously addressed in science fiction, such as sexuality, male/female relationships, racial inequity, and contemporary politics. Hoda Zaki writes: "A constant thread throughout Butler's work is her celebration of racial difference and the coming together of diverse individuals to work, live and build a community…." Several reviewers assert that there is an underlying theme in Butler's narratives dealing with an exploration of slavery, but Butler herself disputes this. In an interview with Stephen W. Potts, she states, "The only places I am writing about slavery is where I actually say so." Critics note Butler's ambiguous endings that leave open the question of the possibilities and limitations of mankind. Jim Miller states, "Whether she is dealing with the role of medical science, biological determinism, the politics of disease, or the complex interrelations of race, class, and gender, Butler's dystopian imagination challenges us to think the worst in complex ways while simultaneously planting utopian seeds of hope."
