Criticism > Contemporary Literary Criticism > The Brothers Quay - Michael Atkinson (essay date September-October 1994)


The Brothers Quay - Michael Atkinson (essay date September-October 1994)

Michael Atkinson (essay date September-October 1994)

SOURCE: "The Night Countries of the Brothers Quay," in Film Comment, Vol. 30, No. 5, September-October, 1994, pp. 36-8, 40-4.

[In the following essay, Atkinson presents an overview of the Quay's career and discusses various influences on their approach to puppetry and film animation.]

To watch, indeed to enter, the impossible, haunted night of a Quay Brothers film is to become complicit in one of the most perverse and obsessive acts of cinema. We're suspended in our own need to see (as we were meant to be at, say, Cocteau's falling chimney) as random, tiny, decaying objects and relationships are fetishized beyond the point of simple imagery and into alchemy. Street of Crocodiles, The Cabinet of Jan Svankmajer, Nocturna Artificialia, The Unnameable Little Broom, Rehearsals for Extinct Anatomies, The Comb from the Museum of Sleep, and the Stille Nacht pieces are all...

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