The Brothers Quay - Mark Le Fanu (essay date Spring 1984)

Mark Le Fanu (essay date Spring 1984)

SOURCE: "Modern Eccentrism: The Austere Art of Atelier Koninck," in Sight and Sound, Vol. 53, No. 2, Spring, 1984, pp. 135-38.

[In the following essay, Le Fanu discusses the early career of the Brothers Quay, examining the marginalized status of animated filmmaking and the rise of Atelier Koninck, the name given to the Quays' collaborative partnership with producer Keith Griffiths.]

If the image of independent British cinema given to the world is that of a rather downbeat, grey-edged, political artform, sustained by its virtues of modesty and integrity, it is sometimes necessary to be reminded that fantasy and extravagance are no less a part of our inheritance. The films of Powell and Pressburger are nothing if not baroque. Our theatrical traditions, feeding into cinema, include the artificial as well as the realist. From the point of view of painting, the set designers at Pinewood and Elstree include...

[The entire page is 3440 words long]

Join eNotes

The above is a free excerpt. Get total access to this content with the: