Criticism > Contemporary Literary Criticism > The Bluest Eye Toni Morrison - Madonne M. Miner (essay date 1985)
The Bluest Eye Toni Morrison - Madonne M. Miner (essay date 1985)
Madonne M. Miner (essay date 1985)
SOURCE: Miner, Madonne M. “Lady No Longer Sings the Blues: Rape, Madness, and Silence in The Bluest Eye.” In Conjuring: Black Women, Fiction, and Literary Tradition, edited by Marjorie Pryse and Hortense J. Spillers, pp. 176-91. Bloomington: Indiana University Press, 1985.
[In the following essay, Miner links oral storytelling traditions to the process of self-definition in The Bluest Eye, exploring the intersections between Pecola's narrative and mythic accounts of Greek goddesses Philomena and Persephone.]
Robert Stepto begins a recent interview with Toni Morrison by commenting on the “extraordinary sense of place” in her novels. He notes that she creates specific geographical landscapes with street addresses, dates, and other such details.1 His observations certainly hold true for Morrison's first novel, The Bluest Eye, set in a black neighborhood in Lorain,...
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Criticism
- Keith E. Byerman (essay date June 1982)
- Madonne M. Miner (essay date 1985)
- Ruth Rosenberg (essay date winter 1987)
- Michael Awkward (essay date 1988)
- Trudier Harris (essay date 1988)
- Thomas H. Fick (essay date spring 1989)
- Vanessa D. Dickerson (essay date 1989)
- Shelley Wong (essay date summer 1990)
- Doreatha Drummond Mbalia (essay date 1991)
- John Bishop (essay date summer 1993)
- Harihar Kulkarni (essay date summer 1993)
- Jane Kuenz (essay date fall 1993)
- Edmund A. Napieralski (essay date fall 1994)
- Mark Ledbetter (essay date 1995)
- Lynn Scott (essay date 1996)
- Allen Alexander (essay date summer 1998)
- Carl D. Malmgren (essay date spring 2000)
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