Bellow, Saul (Vol. 200) - Copyright Page

Bellow, Saul (Vol. 200) - Copyright Page

ISSN 0091-3421

Volume 200

Contemporary Literary Criticism

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Jeffrey W. Hunter

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ISSN 0091-3421

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Preface

N amed “one of the twenty-ﬁve most distinguished reference titles published during the past twenty-ﬁve years” by Reference Quarterly, the Contemporary Literary Criticism (CLC) series provides readers with critical commentary and general information on more than 2,000 authors now living or who died after December 31, 1999. Volumes published from 1973 through 1999 include authors who died after December 31, 1959. Previous to the publication of the ﬁrst volume of CLC in 1973, there was no ongoing digest monitoring scholarly and popular sources of critical opinion and explication of modern literature. CLC, therefore, has fulﬁlled an essential need, particularly since the complexity and variety of contemporary literature makes the function of criticism especially important to today’s reader.

Scope of the Series

CLC provides signiﬁcant passages from published criticism of works by creative writers. Since many of the authors covered in CLC inspire continual critical commentary, writers are often represented in more than one volume. There is, of course, no duplication of reprinted criticism.

Authors are selected for inclusion for a variety of reasons, among them the publication or dramatic production of a critically acclaimed new work, the reception of a major literary award, revival of interest in past writings, or the adaptation of a literary work to ﬁlm or television.

Attention is also given to several other groups of writers—authors of considerable public interest—about whose work criticism is often difficult to locate. These include mystery and science ﬁction writers, literary and social critics, foreign authors, and authors who represent particular ethnic groups.

Each CLC volume contains individual essays and reviews taken from hundreds of book review periodicals, general magazines, scholarly journals, monographs, and books. Entries include critical evaluations spanning from the beginning of an author’s career to the most current commentary. Interviews, feature articles, and other published writings that offer insight into the author’s works are also presented. Students, teachers, librarians, and researchers will ﬁnd that the general critical and biographical material in CLC provides them with vital information required to write a term paper, analyze a poem, or lead a book discussion group. In addition, complete biographical citations note the original source and all of the information necessary for a term paper footnote or bibliography.

Organization of the Book

A CLC entry consists of the following elements:

© The Author Heading cites the name under which the author most commonly wrote, followed by birth and death dates. Also located here are any name variations under which an author wrote, including transliterated forms for authors whose native languages use nonroman alphabets. If the author wrote consistently under a pseudonym, the pseudonym will be listed in the author heading and the author’s actual name given in parenthesis on the ﬁrst line of the biographical and critical information. Uncertain birth or death dates are indicated by question marks. Singlework entries are preceded by a heading that consists of the most common form of the title in English translation (if applicable) and the original date of composition.

vii

Reproduced by permission.—Review of Contemporary Fiction, v. 3, 1983; v. 9, summer, 1989. Copyright © 1983, 1989 by The Review of Contemporary Fiction. Reproduced by permission.—The Spectator, August 9, 1997; April 15, 2000; v. 287, December 8, 2001. Copyright © 1997, 2000, 2001 by The Spectator. All reproduced by permission of The Spectator.—Studies in American Fiction, v. XXVIII, spring, 2000. Copyright © 2000 by Northeastern University. Reproduced by permission.—Text and Performance Quarterly, v. 12, January, 1992 for “David Rabe and the Female Figure: The Body in the Boom Boom Room” by Les Wade. Reproduced by permission of the author and the publisher, www.tandf.co.uk/ journals.—Theatre Annual, v. 41, 1986. Copyright © 1986 by the College of William and Mary. Reproduced by permission.—Times Literary Supplement, no. 3853, January 16, 1976; no. 4642, March 20, 1996; August 22, 1997; April 21, 2001; January 18, 2002. Copyright © 1976, 1996, 1997, 2001, 2002 by The TLS. All reproduced from The Times Literary Supplement by permission.—Twentieth Century Literature, v. 32, summer, 1986. Copyright © 1986 by Hofstra University Press. Reproduced by permission.—Variety, v. 366, March 3, 1997; v. 383, June 11, 2001. Copyright © 1997, 2001 by Variety. Reproduced by permission.—The Washington Post Book World, April 9-15, 2000. Copyright © 2000, The Washington Post. Reproduced by permission.—Women and Performance, v. 8, 1996. Copyright © 1996 by Women & Performance Project, Inc. Reproduced by permission.—World Literature Today, v. 51, winter, 1977; v. 58, winter, 1984; v. 66, autumn, 1992; v. 66, winter, 1992; v. 68, spring, 1994; v. 69, winter, 1995; v. 72, winter, 1998; v. 74, autumn, 2000; v. 76, spring, 2002 by World Literature Today. All reproduced by permission of the publisher.

COPYRIGHTED MATERIAL IN CLC, VOLUME 200, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Alarcón, Norma. From “Anzaldúa’s Frontera: Inscribing Gynetics,” in Chicana Feminisms: A Critical Reader. Edited by Gabriela F. Arredondo, Aida Hurtado, Norma Klahn, Olga Nájera-Ramírez, and Patricia Zavella. Duke University Press, 2003. Copyright © 2003 by Duke University Press. All rights reserved. Reproduced by permission of the publisher.— Cronin, Gloria L. From A Room of His Own: In Search of the Feminine in the Novels of Saul Bellow. Syracuse University Press, 2001. Copyright © 2001 by Syracuse University Press. Reproduced by permission.—Demastes, William

W. and Michael Vanden Heuvel. From Realism and the American Dramatic Tradition. Edited by William W. Demastes. The University of Alabama Press, 1996. Copyright © 1996 by The University of Alabama Press. All rights reserved. Reproduced by permission.—Kanaganayakam, Chelva. From Structures of Negation: The Writings of Zulﬁkar Ghose. University of Toronto Press, 1993. Copyright © 1993 by University of Toronto Press Incorporated. Reproduced by permission of the author.—Reuman, Ann E. From Violence, Silence, and Anger: Woman’s Writing as Transgression. Edited by Deirdre Lashgari. University Press of Virginia, 1995. Copyright © 1995 by the Rector and Visitors of the University of Virginia. Reproduced with permission of the University of Virginia Press.—Rotger, Antònia Oliver. From “‘Sangre Fértil&’/Fertile Blood: Migratory Crossings, War and Healing, in Gloria Anzaldúa’s Borderlands/La Frontera,”in Dressing Up for War: Transformations of Gender and Genre in the Discourse and Literature of War. Edited by Aranzazu Usandizaga and Andrew Monnickendam. Rodopi, 2001. Copyright © 2001 by Editions Rodopi B.V. Reproduced by permission.— Sald&icacute;var-Hull, Sonia. From Feminism on the Border: Chicana Gender Politics and Literature. University of California Press, 2000. Copyright © 2000 by the Regents of the University of California. Reproduced by permission.— Zinman, Toby Silverman. From “What’s Wrong with this Picture: David Rabe’s Comic-Strip Plays,” in Modern Dramatist: A Casebook of Major British, Irish, and American Playwrights. Edited by Kimball King. Routledge, 2001. Copyright © 2001 by Routledge. Reproduced by permission of Routledge/ Taylor & Francis Books, Inc., and the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 200, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Thomson Gale Literature Product Advisory Board

The members of the Thomson Gale Literature Product Advisory Board—reference librarians from public and academic library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature products. Advisory board members assess and deﬁne such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Barbara M. Bibel Heather Martin

Librarian Arts & Humanities Librarian Oakland Public Library University of Alabama at Birmingham, Sterne Library Oakland, California Birmingham, Alabama

Dr. Toby Burrows Susan Mikula

Principal Librarian Librarian The Scholars’ Centre Indiana Free Library University of Western Australia Library Indiana, Pennsylvania Nedlands, Western Australia

Thomas Nixon Celia C. Daniel Humanities Reference Librarian

Associate Reference Librarian University of North Carolina at Chapel Hill, Davis Howard University Libraries Library

Washington, D.C. Chapel Hill, North Carolina

David M. Durant Mark Schumacher

Reference Librarian

Joyner Library Jackson Library East Carolina University University of North Carolina at Greensboro

Greenville, North Carolina Greensboro, North Carolina

Nancy T. Guidry Gwen Scott-Miller

Librarian Assistant Director Bakersﬁeld Community College Sno-Isle Regional Library System Bakersﬁeld, California Marysville, Washington