Criticism > Contemporary Literary Criticism > Amis, Kingsley (Vol. 129) - Copyright Page

Jeffrey W. Hunter

EDITOR

COPYRIGHTED EXCERPTS IN CLC, VOLUME 129, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Amerasia Journal, v. 22, Spring, 1996. Copyright © 1996 by The Regents of the University of California. All rights reserved. Reproduced by permission.—American Book Review, v, 17, June-July, 1996. Reproduced by permission.— American Literature, v. 59, October, 1987. Copyright © 1987 by the Duke University Press. Reproduced by permission.— American Poetry, v. 3, Fall, 1985; v. 5, Spring, 1988. Both reproduced by permission.—American Spectator, v. 27, February, 1994. Copyright © The American Spectator 1994. Reproduced by permission.—Atlantic Monthly, November, 1993 for “Goddess of Reason” by Phyllis Rose. Reproduced by permission of the author.—Book World—The Washington Post, October 25, 1981. © 1981, Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission./November 28, 1993 for “A Marriage of True Minds” by Sven Birkerts. © 1993, Washington Post Book World Service/Washington Post Writers Group. Reproduced by permission of the author.—Books in Canada, v. 24, November, 1995 for “Dagger Descends, Rain Ascends” by Allan Casey. Reproduced by permission of the author.—Books Magazine,

v. 8, July, 1994. Reproduced by permission.—Canadian Forum, v. LXXI, December, 1992 for “Sharing Brokenness” by Kathryn Barnwell. Reproduced by permission of the author.—Canadian Literature, Spring, 1993 for “Someday” by Linda Hutcheon. Reproduced by permission of the author./Autumn, 1997 for “A Daughter’s Dilemma” by Arnold E. Davidson. Reproduced by permission of the Estate of Arnold E. Davidson.—The CEA Critic, v. 54, Spring/Summer 1992. Reproduced by permission.—Centennial Review, v. XXX, Winter 1986 for “Galway Kinnell’s Poetry of Transformation” by David Kleinbard. Reproduced by permission of the publisher and the author.—The Christian Science Monitor, September 7, 1995. Reproduced by permission.—CLA Journal, v. XXXIV, June, 1991. Copyright, 1991 by The College Language Association. Used by permission of The College Language Association.—Commonweal, September 28, 1979; February 12, 1982; v. CXIII, August 15, 1986; August 14, 1992. Copyright © 1979, 1982, 1986, 1992 Commonweal Publishing Co., Inc. All reproduced by permission of Commonweal Foundation.—Connecticut Review, v. XIII, Fall, 1991 for “Beyond Reportage in Salvador” by Carolyn Goffman. Copyright © 1991 Board of Trustees. Reproduced by permission of the author.— Contemporary Literature, v. XXXV, Spring, 1994. © 1994 by the Board of Regents of the University of Wisconsin. Reproduced by permission of The University of Wisconsin Press.—Contemporary Review, v.269, November, 1996. Reproduced by permission.—Critical Quarterly, v. 26, Spring-Summer, 1984; v. 32, Summer, 1990. © Manchester University Press 1984, 1990. Both reproduced by permission.—Critique: Studies in Modern Fiction, v. XXI, 1980; v. XXXIII, Winter, 1992. Copyright © 1980, 1992 Helen Dwight Reid Educational Foundation. Both reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—The D. H. Lawrence Review, v. 20, Summer, 1998. © James C. Cowan. Reprinted with the permission of The D. H. Lawrence Review.—Economist, v. 326, January 23, 1993. © 1993 The Economist Newspaper Group, Inc. Reproduced with permission. Further reproduction prohibited.—English Studies, Netherlands, v. 77, November, 1996. © 1996 by Swets & Zeitlinger B. V. Reproduced by permission.—The Explicator, v. 52, Spring, 1994. Reproduced by permission.—Harper’s Bazaar, v. 122, May, 1989. Reproduced by permission.—The Hollins Critic, v. XXXII, October 1995. Copyright 1995 by Hollins College, Virginia. Reproduced by permission.—The Hudson Review, v. XXX, Summer, 1977; v. XLVIII, Summer 1995; v. L, Spring, 1997; v. XLIV, Winter, 1997. Copyright © 1977, 1995, 1997 by The Hudson Review, Inc. All reproduced by permission.—Journal of Commonwealth Literature, v. XXXII, 1997. Reproduced with the kind permission of Bowker-Saur.—The Literary Biography, 1991 for “Discovering Kingsley Amis” by Dale Salwak. Reproduced by permission of the author.—London Review of Books, v. 19, April 3, 1997 for “The Pink Hotel” by Wayne Koestenbaum. Reproduced by permission of the publisher and the author.—Los Angeles Times Book Review, October 17, 1993; June 12, 1994. Copyright, 1993, 1994, Los Angeles Times. Both reproduced by permission.—Manchester Guardian Weekly, v. 151, October 16, 1994. Copyright © 1994 by Guardian Publications Ltd. Reproduced by permission of Guardian News Service, LTD.—The Massachusetts Review, v. XXV, Summer 1984. Reproduced by permission.—Mississippi Quarterly, v.43, Spring 1990. Reproduced by permission.—Modern Fiction Studies, v.27, Summer 1981; v. 36, Summer,

1990. Copyright © 1981, 1990 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Both reproduced by permission of The Johns Hopkins University Press.—Modern Language Quarterly, v. 35, June, 1974. © 1976 University of Washington. Reproduced by permission of Duke University Press.—Modern Poetry Studies, v. 11, 1982. Reproduced by permission.—The Nation, New York, v. 224, June, 1977; December, 1989, August 31-September 7, 1992; October 13, 1997. © 1977, 1989, 1992, 1997 The Nation magazine/The Nation Company, Inc. All reproduced by permission.—New Criterion, v. 12, October, 1993 for “Diana Trilling’s ‘Journey’” by Hilton Kramer. Copyright © 1993 by The Foundation for Cultural Review. Reproduced by permission of the author.—The New Republic, v. 179, October 28, 1978; v. 188, June 6, 1983; November 27, 1989; June 8, 1992. © 1978, 1983, 1989, 1992 The New Republic, Inc. Reproduced by permission of The New Republic.—New Statesman & Society, September, 1989; October 25, 1991; November 1, 1996. © 1989, 1991, 1996 Statesman & Nation Publishing Company Limited. All reproduced by permission.—New Statesman, v. 103, May 7, 1982. © 1982 Statesman & Nation Publishing Company Limited. Reproduced by permission.—New Theatre Quarterly, v. 13, May, 1999 for “Harrison, Herakles, and Wailing Women: ‘Labourers at Delphi’” by Carol Chillington Rutter. Reproduced by permission of the author.—New York Review of Books, May 28, 1992. Copyright © 1992 NYREV, Inc. Reproduced with permission from The New York Review of Books.—The New Yorker, v. 69, September 13, 1993 for “Di and Li” by Lis Harris; v, LXXI, October 30, 1995 for “Kingsley’s Ransom” by James Wolcott. © 1993, 1995 by the respective authors. All rights reserved. Both reproduced by permission of the respective authors.—Parnassus Poetry in Review, v. 15, 1988 for a review of “Tony Harrison’s Selected Poems” by Michael Wood. Copyright © 1988 Poetry in Review Foundation, NY. Reproduced by permission of the author.—Publishers Weekly, November 1, 1993. Copyright 1993 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA., by permission.—Salmagundi, Summer, 1994. Copyright © 1994 by Skidmore College. Reproduced by permission.—Saturday Review, v. 4, May 28, 1977. © 1977 Saturday Review Magazine, © 1979 General Media International, Inc. Reproduced by permission.— Sewanee Review, v. 102, Summer, 1994. Copyright © 1994 by The University of the South. Reproduced with permission of the editor.—Theatre Journal, v. 45, October, 1993.© 1993, University and College Theatre Association of the American Theatre Association. Reproduced by permission of The Johns Hopkins University Press.—The Times Literary Supplement, February 14, 1978; n. 4218, June 6, 1986, n. 4819, August 11, 1995. © The Times Supplements Limited 1978, 1986, 1995. All reproduced from The Times Literary Supplement by permission.—The Women’s Review of Books, v. IX, July, 1992 for “Good Time, Bad Time” by Judith Grossman; v. XIV, December, 1996 for “The prose of nothingness” by Vivian Gornick. Copyright © 1992, 1996. All rights reserved. Both reproduced by permission of the respective authors.—World Literature Today, v, 71, Winter, 1997. Copyright © 1997 by the University of Oklahoma Press. Reproduced by permission.

COPYRIGHTED EXCERPTS IN CLC, VOLUME 129, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Cheung, King-Kok. From “Attentive Silence in Joy Kogawa’s ‘Obasan’” in New Essays in Feminist Criticism. Edited by Elaine Hedges and Shelley Fisher Fishkin. Oxford University Press, 1994. Copyright © 1994 by Oxford University Press, Inc. Reproduced by permission of Oxford University Press, Inc. Adapted from Articulate Silences. Hisaye Yamomoto, Maxine Hong Kingston, Joy Kogawa. Copyright © 1993 by Cornell University Press. “Obasan” Copyright © 1981 by Joy Kogawa. Cornell University Press, 1993. Used by permission of the publisher, Cornell University Press.—Ciardi, John with Vince Clemente. From “‘A Man Is What He Does with His Attention’: A Conversation with John Ciardi” in John Ciardi: Measure of the Man. Edited by Vince Clemente. University of Arkansas Press, 1987. Copyright © 1987 by The Board of Trustees. The University of Arkansas Press. All rights reserved. Reproduced by permission of the author.—Closson James, William. From Locations of the Sacred: Essays on Religion, Literature, and Canadian Culture. Wilfrid Laurier University Press, 1998. Copyright © 1998 Wilfrid Laurier University Press. Reproduced by permission.—Crucefix, Martyn. From “The Drunken Porter Does Poetry: Metre and Voice in the Poems of Tony Harrison,” in Tony Harrison: Loiner. Edited by Sandie Byrne. Clarenson Press-Oxford, 1997. © Oxford University Press, Inc., New York. Reproduced by permission.—Forbes, Peter. From “In the Canon’s Mouth: Tony Harrison and Twentieth-Century Poetry” in Tony Harrison: Loiner. Edited by Sandie Byrne. Clarenson Press-Oxford, 1997. © Oxford University Press, Inc., New York. Reproduced by permission.—Garrett, George P. From The Sorrows of Fat City. University of South Carolina Press, 1992. Copyright © 1992 University of South Carolina. Reproduced by permission.—Gindin, James. From “Changing Social and Moral Attitudes” in Kingsley Amis: In Life and Letters. Edited by Dale Salwak. Macmillan Press Ltd., 1990. © Dale Salwak 1990. All rights reserved. Reproduced by permission of Macmillan, London and Basingstoke.—Golomb Hoffman, Anne. From “Acts of Self-Creation: Female Identity in the Novels of Margaret Drabble” in Faith of a (Woman) Writer. Edited by Alice Kessler-Harris and William McBrien. Greenwood Press, 1988. Copyright © 1988 by Hofstra University. Reproduced by permission.—Haberkamm, Helmut. From “‘These Vs Are All the Versus of Life’: A Reading of Tony Harrison’s Social Elegy V” in In Black and Gold: Contiguous Traditions in Post-War British and Irish Poetry. Edited by C.

C. Barfoot. Rodopi, 1994. © Editions Rodopi B.V. Amsterdam-Atlanta, GA, 1994. Reproduced by permission.—Hender

son, Katherine Usher. From “Joan Didion: The Bond Between Narrator and Heroine in Democracy” in American Women Writing Fiction: Memory, Identity, Family, Space. Edited by Mickey Pearlman. University Press of Kentucky, 1989. Reproduced by permission.—Huk, Romana. From “Postmodern Classics: The Verse Drama of Tony Harrison” in British and Irish Drama Since 1960. Edited by James Acheson. St. Martin’s Press, 1993. © James Acheson, 1993. Reproduced by permission of Macmillan, London and Basingstoke. In North America by St. Martin’s Press, LLC.—Krickel, Edward. From “Ciardi’s Winter Words: Some Oblique Notes on a Southern Education” in John Ciardi: Measure of the Man. Edited by Vince Clemente. University of Arkansas Press, 1987. Copyright © 1987 by The Board of Trustees The University of Arkansas Press. All rights reserved. Reproduced by permission of the editor.—Kumin, Maxine. From “John Ciardi and the ‘Witch of Fungir’” in John Ciardi: Measure of the Man. Edited by Vince Clemente. University of Arkansas Press, 1987. Copyright © 1987 by The Board of Trustees The University of Arkansas Press. All rights reserved. Reproduced by permission of the editor.—McCreadie, Marsha. From Women on Film: The Critical Eye. Praeger, 1983. © 1983 by Marsha Mc-Creadie. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Quimby, Karin. From “‘This Is My Own, My Native Land’: Constructions of Identity and Landscape in Joy Kogawa’s ‘Obasan’” in Cross-Addressing: Resistance Literature and Cultural Borders. Edited by John C. Hawley. State University of New York Press, 1996. Reproduced by permission of the State University of New York Press.—Raffel, Burton. From “John Ciardi: A Man of Much Reason” in John Ciardi: Measure of the Man. Edited by Vince Clemente. University of Arkansas Press, 1987. Copyright © 1987 by The Board of Trustees The University of Arkansas Press. All rights reserved. Reproduced by permission of the editor.—Rutter, Carol. From “Men, Women and Tony Harrison’s Sex-War Oresteia” in Tony Harrison. Edited by Neil Astley. Bloodaxe Books, 1991. Copyright © Bloodaxe Books, Ltd. 1991. Reproduced by permission of the author.—Simard, Rodney. From “The Dissociation of Self in Joan Didion’s Play It as It Lays” in Narcissism and The Text: Studies in Literature and The Psychology of Self. Edited by Lynne Layton and Barbara Ann Schapiro. New York University Press, 1986. Reproduced by permission.—Stuart, Ching. From “A Hard Story to Tell” in Fourteen Landing Zones: Approaches to Vietnam War Literature. Edited by Philip K. Jason. University of Iowa Press, 1991. Reproduced by permission.—Symes, Peter. From “Blasphemy and Death: On Film Making with Tony Harrison” in Tony Harrison. Edited by Neil Astley. Bloodaxe Books, Ltd., 1991. Copyright © Bloodaxe Books Ltd. 1991. Reproduced by permission of the author.—Widdowson, H. G. From “Person to Person: Relationships in the Poetry of Tony Harrison” in Twentieth-Century Poetry: From Text to Context. Edited by Peter Verdonk. © Routledge 1993. Reproduced by permission.—Zwicker, Heather. From “Canadian Women of Color in the New World Order: Marlene Nourbese Philip, Joy Kogawa, and Beatrice Culleton Fight Their Way Home” in Canadian Women Writing Fiction. Edited by Mickey Pearlman. University Press of Mississippi, 1993. Copyright © 1993 by the University Press of Mississippi. All rights reserved. Reproduced by permission.

PHOTOGRAPHS APPEARING IN CLC, VOLUME 129, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Amis, Kingsley, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Ciardi, John, photograph. Jerry Bauer. Reproduced by permission.—Didion, Joan, photograph. © Jerry Bauer. Reproduced by permission.—Drabble, Margaret, photograph by Jerry Bauer. © Jerry Bauer. Reproduced by permission.—Kinnell, Galway, photograph by John Reeves. Reproduced by permission.—Kogawa, Joy, photograph. AP/Wide World Photos. Reproduced by permission.— Trilling, Diane (hands on wooden surface, holding glasses), photograph. AP/Wide World Photos. Reproduced by permission.