Criticism > Contemporary Literary Criticism > Albee, Edward (Vol. 113) - William Hutchings (review date Autumn 1995)
Albee, Edward (Vol. 113) - William Hutchings (review date Autumn 1995)
William Hutchings (review date Autumn 1995)
SOURCE: A review of Three Tall Women, in World Literature Today, Vol. 69, No. 4, Autumn, 1995, pp. 799-80.
[In the following review, Hutchings examines Three Tall Women, comparing it to works by Samuel Beckett.]
Identified only as B and C, two of the three tall women of Edward Albee's Pulitzer Prize-winning drama are engaged in a deathwatch for the third, the ninety-two-year-old, bedridden, bitingly sarcastic A. B, according to Albee's production notes, "looks rather as A would have at 52," while C "looks rather as B would have at 26." In the first act the three are distinctly separate characters, generationally different but sometimes overcoming their mutual incomprehensions. The second act, however, perpetrates an intriguing, Pirandellolike change: the three generations represented on stage are no longer three separate people in the room at one time but one person at three...
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- Introduction
- Principal Works
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Criticism
- Whitney Balliett (review date 4 February 1961)
- Robert Brustein (review date 27 March 1961)
- Harold Clurman (review date 27 October 1962)
- Robert Brustein (review date 3 November 1962)
- Gerald Weales (review date 25 October 1968)
- M. Patricia Fumerton (essay date Summer 1981)
- Katharine Worth (essay date 1981)
- Leonard Casper (essay date 1983)
- Julian N. Wasserman (essay date 1983)
- Edward Albee with Jeffrey Goldman (interview date 1989)
- Mickey Pearlman (essay date 1989)
- Marian Faux (review date December 1994)
- Robert Brustein (essay date 1994)
- Jeane Luere (essay date Spring 1995)
- William Hutchings (review date Autumn 1995)
- James Campbell (review date 11 October 1996)
- Further Reading
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