Criticism > Contemporary Literary Criticism > Albee, Edward (Vol. 113) - Robert Brustein (essay date 1994)
Albee, Edward (Vol. 113) - Robert Brustein (essay date 1994)
Robert Brustein (essay date 1994)
SOURCE: "The Rehabilitation of Edward Albee," in Dumbocracy in America: Studies in the Theatre of Guilt, 1987–1994, Ivan R. Dee, 1994, pp. 204-9.
[In the following excerpt, Brustein responds favorably to Three Tall Women, which he characterizes as "a mature piece of writing."]
A number of years ago, while praising Edward Albee's much-reviled stage adaptation of Lolita, I commented on the startling reverses in the fortunes of this once lionized American dramatist: "The crunching noises the press pack makes while savaging his recent plays are in startling contrast to the slavering sounds they once made in licking his earlier ones…. If each man kills the thing he loves, then each critic kills the thing he hypes … brutalizing the very celebrity he has created."
I was generalizing not only from Albee's career but from that of Miller, Williams, and Inge, for although I had often...
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- Introduction
- Principal Works
-
Criticism
- Whitney Balliett (review date 4 February 1961)
- Robert Brustein (review date 27 March 1961)
- Harold Clurman (review date 27 October 1962)
- Robert Brustein (review date 3 November 1962)
- Gerald Weales (review date 25 October 1968)
- M. Patricia Fumerton (essay date Summer 1981)
- Katharine Worth (essay date 1981)
- Leonard Casper (essay date 1983)
- Julian N. Wasserman (essay date 1983)
- Edward Albee with Jeffrey Goldman (interview date 1989)
- Mickey Pearlman (essay date 1989)
- Marian Faux (review date December 1994)
- Robert Brustein (essay date 1994)
- Jeane Luere (essay date Spring 1995)
- William Hutchings (review date Autumn 1995)
- James Campbell (review date 11 October 1996)
- Further Reading
- Copyright
