Criticism > Contemporary Literary Criticism > Albee, Edward (Vol. 113) - Marian Faux (review date December 1994)
Albee, Edward (Vol. 113) - Marian Faux (review date December 1994)
Marian Faux (review date December 1994)
SOURCE: A review of Three Tall Women, in Theatre Journal, Vol. 46, No. 4, December, 1994, pp. 541-3.
[In the following review, Faux provides a laudatory assessment of Three Tall Women.]
Edward Albee's third Pulitzer prize-winning play Three Tall Women is a meditation on a woman's life and mortality cleverly viewed from three different stages (no pun intended) of life: youth, middle age, and old age. In the first act, a woman known only as "A," played splendidly by English actress Myra Carter, who originated the role at Vienna's English Theatre in June 1991 (see Theatre Journal, 44: 251-52), is a stately and very rich powerhouse trying to come to terms with her diminished powers—physical, mental, and emotional.
As is usual in Albee plays, what is clear is also often contradictory. A's character being no exception, she was born to a lower-middle class family, to parents...
[The entire page is 1012 words long]
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- Introduction
- Principal Works
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Criticism
- Whitney Balliett (review date 4 February 1961)
- Robert Brustein (review date 27 March 1961)
- Harold Clurman (review date 27 October 1962)
- Robert Brustein (review date 3 November 1962)
- Gerald Weales (review date 25 October 1968)
- M. Patricia Fumerton (essay date Summer 1981)
- Katharine Worth (essay date 1981)
- Leonard Casper (essay date 1983)
- Julian N. Wasserman (essay date 1983)
- Edward Albee with Jeffrey Goldman (interview date 1989)
- Mickey Pearlman (essay date 1989)
- Marian Faux (review date December 1994)
- Robert Brustein (essay date 1994)
- Jeane Luere (essay date Spring 1995)
- William Hutchings (review date Autumn 1995)
- James Campbell (review date 11 October 1996)
- Further Reading
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