Criticism > Contemporary Literary Criticism > The Adventures of Augie March Saul Bellow - Copyright Page

Criticism of the Works of Today’s Novelists, Poets, Playwrights, Short Story Writers, Scriptwriters, and Other Creative Writers

Tom Burns and Jeffrey W. Hunter

PROJECT EDITORS

Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CLC, VOLUME 190, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 49, March, 1977. Copyright © 1977 Duke University Press. All rights reserved. Reproduced by permission of the publisher.—The Atlantic Monthly, v. 192, October, 1953 for “A Rolling Stone” by Charles J. Rolo. Copyright © 1953, renewed © 1981 by The Atlantic Monthly Company. Reproduced by permission of the Literary Estate of Charles J. Rolo./ v. 276, October, 1995 for “A Chicago of a Novel” by Martin Amis. Copyright © 1996 by The Atlantic Monthly Company, Inc. Reproduced by permission of Peters, Fraser & Dunlop Group, Ltd., on behalf of Martin Amis.— Camera Obscura, no. 35, May, 1995. Copyright © 1995 Camera Obscura. All rights reserved. Reproduced by permission of the publisher.—Chicago Tribune Books, October 10, 1993 for “Explanations, Accusations, No Regrets” by Penelope Mesic. Copyright © 1993 Tribune Media Services, Inc. All rights reserved. Reproduced by permission of the author.— Christian Century, v. 119, April 24-May 1, 2002. Copyright © 2002 by The Christian Century Foundation. Reproduced by permission.—The Christian Science Monitor, v. 82, October 24, 1990 for “Albanian Revenge” by Merle Rubin. Copyright © 1990 by Merle Rubin. Reproduced by permission of the author.—Cineaste, v. 20, 1993. Copyright © 1993 by Cinema Guild. Reproduced by permission of the publisher.—CLIO, v. 16, spring, 1987 for “History and the Picaresque Tradition in Saul Bellow’s The Adventures of Augie March” by Patrick W. Shaw. Reproduced by permission of the author.—Commonweal, v. CXXVII, September 8, 2000. Copyright © 2000 by Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation./ v. LVIII, October 2, 1953. Copyright © 1953, renewed 1981 by Commonweal Publishing Co., Inc. Reproduced by permission of Commonweal Foundation.—Critical Inquiry, v. 29, winter, 2003. Copyright © 2003 by The University of Chicago. All rights reserved. Reproduced by permission.—Cultural Critique, v. 18, spring, 1991. Copyright © 1991 by Cultural Critique. All rights reserved. Reproduced by permission.—The European Legacy, v. 7, February, 2002. Copyright © 2002 by the International Society for the Study of European Ideas. Reproduced by permission of Taylor & Francis Ltd. (http://www.tandf.co.uk/journals)—Film Quarterly, v. 51, winter, 1997-1998 for “Mother of all Spectacles” by Ruth Starkman. Copyright © 1998 by the Regents of the University of California. Reproduced by permission of the publisher and the author. www.ucpress.edu (http://www.ucpress.edu)—Films in Review, v. 47, July-August 1996. Copyright © 1996 by the National Board of Review of Motion Pictures, Inc. Reproduced by permission of Editor Roy Frumkes.—Historical Journal of Film, Radio and Television, v. 23, 2003 for “Leni Riefenstahl’s ‘Gypsy Question’” by Susan Tegel. Copyright © 2003 by IAMHIST and Taylor & Francis Ltd. Reproduced by permission of Taylor & Francis Ltd., and the author. (http://www.tandf.co.uk/journals)—International Journal of Middle East Studies, v. 25, February, 1993. Reproduced with the permission of Cambridge University Press.—Kenyon Review, v. 20, winter, 1998 for “Three Polish Poets, Two Nobel Prizes” by John R. Carpenter. Copyright © 1998 by Kenyon College. All rights reserved. Reproduced by permission of the author.—Library Journal, v. 127, November 1, 2002. Copyright © 2002 by Reed Elsevier, USA. Reproduced by permission of the publisher.—Literary Imagination: The Review of the Association of Literary Scholars and Critics, v. 1, fall, 1999. Reproduced by permission.—London Review of Books, v. 19, September 18, 1997; v. 21, May 13, 1999. Both appear here by permission of the London Review of Books.—Los Angeles Times Book Review, September 26, 1993; April 28, 1996; February 9, 1997; February 15, 1998. Copyright © 1993, 1996, 1997, 1998 by Los Angeles Times. All reproduced by permission.—Michigan Quarterly Review, v. 34, fall, 1995 for “The Spectacle of His Body” by Laurence Goldstein. Edited by Laurence Goldstein and Ira Konigsberg. Copyright © The University of Michigan, 1995. All rights reserved. Reproduced by permission of the author.—Midstream, v. 49, September-October, 2003 for “Inside the Hornet’s Nest” by Jerome Charyn. Copyright © 2003 by Jerome Charyn. Reproduced by permission of Georges Borchardt, Inc., for the author.—Modern Fiction Studies, v. 25, spring, 1979. Copyright © 1979 by Purdue Research Foundation, West Lafayette, IN 47907. All rights reserved. Reproduced by permission of The Johns Hopkins University Press.—Modern Language Review, v. 96, January, 2001; v. 97, April, 2002. Copyright © 2001, 2002 by Modern Humanities Research Association. Both reproduced by permission of the publisher.—The Nation, v. 270, June 12, 2000; v. 276, June 23, 2003. Copyright © 2000, 2003 by The Nation magazine/ The Nation Company, Inc. Both reproduced by permission.—New Criterion, November 1993 for “Festival of Smoke” by Jeremy Murray-Brown. Copyright © 1993 by The Foundation for Cultural Review. Reproduced by permission of the author.—New German Critique: An Interdisciplinary Journal of German Studies, v. 36, fall, 1985. Reproduced by permission.—The New Republic, v. 214, January 1, 1996. Copyright © 1996 by The New Republic, Inc. Reproduced by permission of The New Republic.—New Statesman, October 30, 2000; February 11, 2002. Copyright © 2000, 2002 by Statesman & Nation Publishing Company Limited. Both reproduced by permission.—New Statesman & Society, v. 6, February 26, 1993; v. 7, October 7, 1994. Copyright © 1993, 1994 by Statesman & Nation Publishing Company Limited. Both reproduced by permission.—The New York Review of Books, v. 29, October 21, 1982; v. 43, November 14, 1996; v. 44, November 6, 1997. Copyright © 1982, 1996, 1997 by Nyrev, Inc. All reproduced with permission from The New York Review of Books.—The Paris Review, v. 40, summer, 1998. Copyright © 1998 by The Paris Review. Reproduced by permission of Regal Literary, Inc., as agent for The Paris Review.—Prairie Schooner, v. 73, summer, 1999. Copyright © 1999 by University of Nebraska Press. Reproduced from Prairie Schooner by permission of the University of Nebraska Press.—Public Culture, v. 13, 2001. Copyright © 2001, Duke University Press. All rights reserved. Reproduced by permission of the publisher.—Publishers Weekly, v. 244, April 7, 1997. Copyright © 1997 by Reed Publishing USA. Reproduced from Publishers Weekly, published by the Bowker Magazine Group of Cahners Publishing Co., a division of Reed Publishing USA, by permission.—Review of Contemporary Fiction, v. 17, fall, 1997; v. 23, spring, 2003. Copyright © 1997, 2003 The Review of Contemporary Fiction. Both reproduced by permission.—Salmagundi, no. 103, summer, 1994. Copyright © 1994 by Skidmore College. Reproduced by permission.—Sight and Sound, v. 3, February, 1993. Copyright © 1993 by The British Film Institute. Reproduced by permission.—Slavic and East European Journal, v. 41, summer, 1997. Copyright © 1997 by AATSEEL of the U.S., Inc. Reproduced by permission.—Southwest Review, v. LIII, winter, 1968. Copyright © 1968 by Southern Methodist University Press. Reproduced by permission.—The Spectator, v. 276, March 9, 1996; v. 293, September 20, 2003. Copyright © 1996, 2003 by The Spectator. Both reproduced by permission of The Spectator.—Times Literary Supplement, no. 5033, September 17, 1999; no. 5064, April 21, 2000; no. 5093, November 10, 2000. Copyright © 1999, 2000 by The Times Supplements Limited. All reproduced from The Times Literary Supplement by permission.—Variety, v. 392, September 1521, 2003. Used with permission of and copyrighted by © Variety Magazine, owned and published by Cahners Business Information, a division of Reed Elsevier, Inc. All rights reserved, and may not be modified, resold, sublicensed or disseminated further without express written permission. Any commercial exploitation of this content is strictly prohibited and infringers will be prosecuted to the full extent of the law.—Virginia Quarterly Review, v. 77, autumn, 2001. Copyright © 2001 by The Virginia Quarterly Review, The University of Virginia. Reproduced by permission of the publisher.—Wilson Quarterly, v. 25, winter, 2001 for “The Great American Augie” by Christopher Hitchens. Copyright © 2001 by Christopher Hitchens. Reproduced by permission of the author.—World Affairs, v. 153, winter, 1991. Copyright © 1991 by Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 20036-1802.—World and I, v. 14, September, 1999. Copyright © 1999 by News World Communications, Inc. Reproduced by permission.—World Literature Today, v. 65, spring, 1991; v. 65, summer, 1991; v. 65, autumn, 1991; v. 66, spring, 1992; v. 66, winter, 1992; v. 67, summer, 1993;

v. 68, spring, 1994; v. 69, spring, 1995; v. 69, autumn, 1995; v. 70, autumn, 1996; v. 71, summer, 1997; v. 71, autumn, 1997; v. 71, winter, 1997; v. 72, spring, 1998; v. 73, summer, 1999; v. 74, summer, 2000; v. 74, autumn, 2000; v. 75, spring, 2001; v. 76, spring, 2002. Copyright © 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002 by World Literature Today. All reproduced by permission of the publisher.

COPYRIGHTED MATERIAL IN CLC, VOLUME 190, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Bradbury, Malcolm. From “The Fifties Novels: The Adventures of Augie March, Seize The Day, and Henderson The Rain King,”in Saul Bellow. Methuen, 1982. Copyright © 1982 by Malcolm Bradbury. Reproduced by permission of Taylor & Francis Books Ltd., and the author.—Dutton, Robert R. From “The Adventures of Augie March,” in Saul Bellow. Edited by Warren French. Twayne Publishers, 1982. Copyright © 1982 by G. K. Hall & Co. Reproduced by permission of the Gale Group.—Fuchs, Daniel. From Saul Bellow: Vision and Revision. Duke University Press, 1984. Copyright © 1984, Duke University Press. All rights reserved. Reproduced by permission of the publisher.—Hinton, David. From The Films of Leni Riefenstahl, Second Edition. Scarecrow Press, Inc., 1991. Copyright © 1991 by David B. Hinton. Reproduced by permission.—Karasek, Krzysztof. From “Mozartian Joy: The Poetry of Wislawa Szymborska,” in The Mature Laurel: Essays on Modern Polish Poetry. Edited by Adam Czerniawski. Seren Books/Dufour Editions, 1991. Copyright © 1991 by Karasek Krzysztof. All rights reserved. Reproduced by permission.—Sontag, Susan. From Under the Sign of Saturn. Copyright © 1980 by Susan Sontag. Reproduced by permission of Farrar, Straus & Giroux, LLC.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CLC, VOLUME 190, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Riefenstahl, Leni, photograph. AP/Wide World Photos. Reproduced by permission.—Salles, Walter, left, and Ismail Kadare, in Venice Lido, Italy, photograph. AP/Wide World Photos. Reproduced by permission.—Szymborska, Wislawa, at the Nobel Prize celebration in Stockholm, photograph. Copyright © Vander Zwalm Dan/Corbis Sygma. Reproduced by permission.

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