Jan 1, 2010
In 1908, as a junior at Bryn Mawr College, then one of the most progressive women’s colleges in the United States, Marianne Moore published a story in the student literary magazine in which she expressed one of the most fundamental contradictions operating in the life of an artist obsessed with a task. “There are times,” she wrote, “when I should give anything on earth to have writing a matter of indifference to me.” Thus at the age of nineteen she acknowledged with characteristic ardor and reluctance the major motivating force of her life. While...
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