Coming of Age in Mississippi | Copyright
These eNotes are an offprint from Nonfiction Classics for Students: Presenting Analysis, Context, and Criticism on Nonfiction Works.
Drama For Students
Project Editor David Galens
Editorial
Sara Constantakis, Elizabeth A. Cranston, Kristen A. Dorsch, Anne Marie Hacht, Madeline S. Harris, Arlene Johnson, Michelle Kazensky, Ira Mark Milne, Polly Rapp, Pam Revitzer, Mary Ruby, Kathy Sauer, Jennifer Smith, Daniel Toronto, Carol Ullmann
Research
Michelle Campbell, Nicodemus Ford, Sarah Genik, Tamara C. Nott, Tracie Richardson
Data Capture
Beverly Jendrowski
Permissions
Mary Ann Bahr, Margaret Chamberlain, Kim Davis, Debra Freitas, Lori Hines, Jackie Jones, Jacqueline Key, Shalice Shah-Caldwell
Imaging and Multimedia
Randy Bassett, Dean Dauphinais, Robert Duncan, Leitha Etheridge-Sims, Mary Grimes, Lezlie Light, Jeffrey Matlock, Dan Newell, Dave Oblender, Christine O'Bryan, Kelly A. Quin, Luke Rademacher, Robyn V. Young
Product Design
Michelle DiMercurio, Pamela A. E. Galbreath, Michael Logusz
Manufacturing
Stacy Melson
© 1998-2002; © 2002 by Gale. Gale is an imprint of The Gale Group, Inc., a division of Thomson Learning, Inc.
Gale and Design® and Thomson Learning ™ are trademarks used herein under license.
For more information, contact
The Gale Group, Inc
27500 Drake Rd.
Farmington Hills, MI 48334-3535
Or you can visit our Internet site at
http://www.gale.com
ALL RIGHTS RESERVED.
No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means—graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems—without the written permission of the publisher.
For permission to use material from this product, submit your request via Web at http://www.gale-edit.com/permissions, or you may download our Permissions Request form and submit your request by fax or mail to:
Permissions Department
The Gale Group, Inc
27500 Drake Rd.
Farmington Hills, MI 48331-3535
Permissions Hotline:
248-699-8006 or 800-877-4253, ext. 8006
Fax: 248-699-8074 or 800-762-4058
Since this page cannot legibly accommodate all copyright notices, the acknowledgments constitute an extension of the copyright notice.
While every effort has been made to secure permission to reprint material and to ensure the reliability of the information presented in this publication, The Gale Group, Inc. does not guarantee the accuracy of the data contained herein. The Gale Group, Inc. accepts no payment for listing; and inclusion in the publication of any organization, agency, institution, publication, service, or individual does not imply endorsement of the editors or publisher. Errors brought to the attention of the publisher and verified to the satisfaction of the publisher will be corrected in future editions.
The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Nonfiction Classics for Students (NCfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.
COPYRIGHTED MATERIALS IN NCfS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
American Literature, v. 68, June, 1996. Copyright © 1986 by Duke University Press. Reproduced by permission.—Challenge, v. 36, July-August, 1993 for “The Heresies of John Kenneth Galbraith” by Thomas Karier. Reproduced by permission of the author.—Colby Quarterly, v. XXXII, December, 1986. Reproduced by permission.—Criticism, v. V, Winter, 1963. Copyright, 1963, Wayne State University Press. Reproduced by permission of Wayne State University Press.—Eire-Ireland, v. IX, 1974. Copyright 1974 Irish American Cultural Institute. Reproduced by permission.—Journal of Economic Issues, v. XXIII, June, 1989 for “Rereading the Affluent Society” by Robert Heilbroner. Reproduced by permission of the author.— Melus, v. 11, Winter, 1984. Copyright MELUS: The Society for the Study of Multi-Ethnic Literature of the United States, 1984. Reproduced by permission.—The Nation, New York, v. 267, November 16, 1998. © 1998 The Nation magazine/ The Nation Company, Inc. Reproduced by permission.— Progressive, v. 57, June, 1993. Copyright © 1993 by The Progressive, Inc. Reproduced by permission of The Progressive, 409 East Main Street, Madison, WI 53703.—Yeats, v. II, 1984. Copyright © 1984 by Cornell University. All rights reserved. Reproduced by permission.
COPYRIGHTED MATERIALS IN NCfS, VOLUME 3, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Bloom, Harold. From Sigmond Freud’s ‘‘The Interpretation of Dreams.’’ Edited by Harold Bloom. Chelsea House Publishers, 1987. © 1987 by Chelsea House Publishers. All rights reserved. Reproduced by permission.—Busby, Mark. From Ralph Ellison. Edited by Warren French. Twayne, 1991. Reproduced by permission.—Frieden, Ken. From Freud’s Dream of Interpretation. State University of New York Press, 1990. Reproduced by permission.— Martin, Rex. From Rawls and Rights. University Press of Kansas, 1985. Reproduced by permission of the author.—O’Meally, Robert G. From The Craft of Ralph Ellison. Harvard University Press, 1980. Reproduced by permission.—Packer, B. L. From Emerson’s Fall: A New Interpretation of the Major Essays. Continuum, 1982. Copyright © 1982 by B. L. Packer. All rights reserved. Reproduced by permission.—Rowe, John Carlos. From Through the Custom House: Nineteenth-Century American Fiction and Modern Theory. Johns Hopkins University Press, 1982. Copyright © 1982 by The Johns Hopkins University Press. Reproduced by permission.—Wolheim, Richard. From “Dreams,” in Sigmond Freud’s “The Interpretation of Dreams.” Edited by Harold Bloom. Chelsea House Publishers, 1987. © 1987 by Chelsea House Publishers. All rights reserved. Reproduced by permission.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NCfS, VOLUME 3, WERE RECEIVED FROM THE FOLLOWING SOURCES:
An Alzheimer’s patient receives a visitor in a long-term health-care facility, photograph. Prentice Hall, Inc./Simon & Schuster/PH College. Reproduced by permission.—Aschner, Jacob and Samuel, photograph. © Corbis. Reproduced by permission.— Bombed buildings, Dresden, Germany, 1946, photograph. CORBIS/Bettmann. Reproduced by permission.— Civil rights marchers walking along Route 80, photograph. AP/Wide World Photos. Reproduced by permission.—Crowds gathering for Christmas, photograph. © Bettmann/Corbis. Reproduced by permission.—Ellison, Ralph (wearing suit and glasses), photograph. Archive Photos. Reproduced by permission.—Emerson, Ralph Waldo, engraving by S.A. Choff c. 1878. The Library of Congress.— Escobar, Pablo, photograph. AP/Wide World Photos. Reproduce by permission.—Faludi, Susan, San Francisco, California, photograph. AP/Wide World Photos. Reproduced by permission.—Farmer, James, Bogalusa, Louisiana, 1965, photograph. AP/Wide World Photos. Reproduced by permission.—Freud, Sigmund, photograph. The Library of Congress.— Friedan, Betty, 1978, photograph. AP/Wide World Photos. Reproduced with permission.—Galbraith, John Kenneth, photograph. The Library of Congress.— Gregory, Augusta, photograph. The Library of Congress.—Hines, Earl, 1939, Savoy Ballroom, Harlem, photograph by Charles Peterson. Archive Photos, Inc. Reproduced by permission.—Hobbes, Thomas, drawing. Archive Photos, Inc. Reproduced by permission.—Interior of Sigmund Freud’s study, photograph. Archive Photos, Inc. Reproduced by permission.—Interior of the study in Ralph Waldo Emerson, photograph. The Library of Congress.— Klemperer, Victor, photograph. The Granger Collection, New York. Reproduced by permission.— Lamott, Annie, photograph. Getty Images. Reproduced by permission.—Malcolm X, photograph. AP/Wide World Photos. Reproduced by permission.— Marquez, Gabriel Garcia, 1982, photograph. AP/Wide World Photos. Reproduced by permission.— Mill, John Stuart, drawing. Archive Photos, Inc. Reproduced by permission.—Muhammad, Elijah, speaking at a press conference, photograph. © Bettmann/Corbis. Reproduced by permission.— “Oedipus and The Sphinx,” oil painting by Jean Auguste Dominique Ingres. © National Gallery Collection. By kind permission of the Trustees of the National Gallery, London/Corbis. Reproduced by permission.—Pedestrians walking along Lenox Avenue in Harlem, New York, photograph. © Bettmann/Corbis. Reproduced by permission.— Reduced plan of hand drawn map of Walden Pond, drawing.—Rodriguez, Richard, photograph by Roger Ressmeyer. CORBIS. Reproduced by permission.— Rodriguez, Richard, visiting the Sacred Heart School, photograph by Roger Ressmeyer. Corbis. Reproduced by permission.—Schlafly, Phyllis, photograph. AP/Wide World Photos. Reproduced with permission.—Thoreau, Henry David, drawing. The Library of Congress.—Thoreau, Henry David’s birthplace. The Granger Collection Ltd.—Washington, Denzel, in title role in the film “Malcolm X” 1992, photograph. The Kobal Collection. Reproduced by permission.—Wilde, Oscar, photograph. The Library of Congress.—Yeats, William Butler, photograph. The Library of Congress.

