Iliad, Homer - Copyright Page

ISSN 0896-0011

Volume 61

Criticism of the Works of World Authors from Classical Antiquity through the Fourteenth Century, from the First Appraisals

to Current Evaluations

Lynn M. Zott

Project Editor

Classical and Medieval Literature Criticism, Vol. 61
Project Editor

Lynn M. Zott

Editorial

Jessica Bomarito, Jenny Cromie, Kathy D. Darrow, Elisabeth Gellert, Edna M. Hedblad, Julie Keppen, Jelena O. Krstovic´, Michelle Lee, Thomas J. Schoenberg, Lawrence J. Trudeau, Russel Whitaker

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ISSN 0896-0011

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Acknowledgments

The editors wish to thank the copyright holders of the criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of CMLC. Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIAL IN CMLC, VOLUME 61, WAS REPRODUCED FROM THE FOLLOWING BOOKS:

Brunn, Emilie Zum and Georgette Epiney-Burgard. From Women Mystics in Medieval Europe. Translated by Sheila Hughes. Paragon House, 1989. Copyright © 1989 by Emilie Zum Brunn and Georgette Epiney-Burgard. All rights reserved. Reproduced by permission.— Crotty, Kevin. From The Poetics of Supplication: Homer’s Iliad and Odyssey. Cornell University Press, 1994. Copyright © 1994 by Cornell University. All rights reserved. Reproduced by permission.— Ebbott, Mary. From Nine Essays on Homer. Edited by Miriam Carlisle and Olga Levaniouk. Rowman & Littlefield, 1999. Copyright © 1999 by Rowman & Littlefield Publishers Inc. All rights reserved. Reproduced by permission.— Frazer, R.M. From A Reading of the Iliad. University Press of America, 1993. Copyright © 1993 by University Press of America Inc. All rights reserved. Reproduced by permission.— Guest, Tanis M. From Some Aspects of Hadewijch’s Poetic Form in the ‘Strofische Gedichten.’ Martinus Nijhoff, 1975. Copyright © 1975 by Martinus Nijhoff. All rights reserved. Reproduced by permission.—Hart, Mother Columba. From Hadewijch: The Complete Works. Translated by Mother Columba Hart, O.S.B. Paulist Press, 1980. Copyright © 1980 by Paulist Press, Inc., New York/Mahwah, N.J. All rights reserved. Reproduced by permission of Paulist Press. www.paulistpress.com— Kay, Sarah. From The Chansons de geste in the Age of Romance: Political Fictions. Clarendon Press, 1995. Copyright © 1995 by Sarah Kay. All rights reserved. Reproduced by permission of Oxford University Press.—Lang, Mabel L. From Approaches to Homer. Edited by Carl A. Rubino and Cynthia W. Shelmerdine. University of Texas Press, 1983. Copyright © 1983 by the University of Texas Press. All rights reserved. Reproduced by permission.—Madigan, Shawn. From Mystics, Visionaries, and Prophets: A Historical Anthology of Women’s Spiritual Writings. Edited by Shawn Madigan. Fortress Press, 1998. Copyright © 1998 Augsburg Fortress. All rights reserved. Reproduced by permission.— Milhaven, John Giles. From Hadewijch and Her Sisters: Other Ways of Loving and Knowing. State University of New York Press, 1993. Copyright © 1993 by State University of New York. All rights reserved. Reproduced by permission.— Morrison, James V. From Homeric Misdirection: False Predictions in the Iliad. University of Michigan Press, 1992. Copyright © 1992 by the University of Michigan. All rights reserved. Reproduced by permission.—Mueller, Martin. From The Iliad. G. Allen & Unwin, 1984. Reproduced by permission of the author.—Murk-Jansen, Saskia. From Meister Eckhart and the Beguine Mystics: Hadewijch of Brabant, Mechthild of Magdeburg, and Marguerite Porete. Edited by Bernard McGinn. Continuum, 1994. Copyright © 1994 by Bernard McGinn. All rights reserved. Reproduced by permission.—Murk-Jansen, Saskia M. From Gender and Text in the Later Middle Ages. Edited by Jane Chance. University Press of Florida, 1996. Copyright © 1996 by the Board of Regents of the State of Florida. All rights reserved. Reproduced by permission of the University Press of Florida.—Naas, Michael. From Turning: From Persuasion to Philosophy: A Reading of Homer’s Iliad. Amherst, NY: Humanity Books. Copyright © 1995 by Michael Naas. All rights reserved. Reproduced by permission.— Petroff, Elizabeth Alvilda. From Body and Soul: Essays on Medieval Women and Mysticism. Oxford University Press, 1994. Copyright © 1994 by Elizabeth Alvilda Petroff. All rights reserved. Reproduced by permission of Oxford University Press, Inc.—Pucci, Pietro. From The Song of the Sirens: Essays on Homer. Rowman & Littlefield Publishers, 1998. Copyright © 1998 by Rowman & Littlefield Publishers Inc. All rights reserved. Reproduced by permission.—Rabel, Robert J. From Plot and Point of View in the Iliad. University of Michigan Press, 1997. Copyright © 1997 by the University of Michigan. All rights reserved. Reproduced by permission.— Sinaiko, Herman L. From Reclaiming the Canon: Essays on Philosophy, Poetry, and History. Yale University Press, 1998. Copyright © 1998 by Herman L. Sinaiko. All rights reserved. Reproduced by permission.—Slatkin, Laura M. From The Power of Thetis: Allusion and Interpretation in the Iliad. University of California Press, 1991. Copyright © 1991 by The Regents of the University of California. All rights reserved. Reproduced by permission of the author.— Taplin, Oliver. From Homeric Soundings: The Shaping of the Iliad. Clarendon Press, 1992. Copyright © 1992 by Oliver Taplin. All rights reserved. Reproduced by permission.—Vanderauwera, Ria. From Medieval Women Writers. Edited by Katharina M. Wilson. University of Georgia Press, 1984. Copyright © 1984 by the University of Georgia Press. All rights reserved. Reproduced by permission.

COPYRIGHTED MATERIAL IN CMLC, VOLUME 61, WAS REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Journal of Philology, v. 119, Spring 1998. Reproduced by permission.—Canadian Journal of Netherlandic Studies, v. 11, Fall 1990 for “Hadewijch van Antwerpen (c. 1250),” by Theresia De Vroom. Reproduced by permission of the author.—Classical Antiquity, v. 8, October 1989 for “Agamemnon’s Test: Iliad 2.73-75,” by Ronald Knox and Joseph Russo. Reproduced by permission of the authors.—Classical Philology, v. 85, October 1990. Reproduced by permission.— Essays in Medieval Studies, v. 4, 1987. Reproduced by permission.—Grand Street, v. 9, Spring 1990. Reproduced by permission.—Greece & Rome, v. 47, April 2000 for “Achilles, Patroclus, and Parental Care in Some Homeric Similes,” by Sophie Mills. Reproduced by permission of the publisher and the author.—Greek, Roman, and Byzantine Studies, v. 35, Autumn 1994; v. 36, Summer 1995. Reproduced by permission.—Journal of Feminist Studies in Religion, v. 12, Fall 1996 for “The Touch of Satisfaction: Visions and the Religious Experience according to Hadewijch of Antwerp,” by Mary

A. Suydam. Reproduced by permission of the publisher and the author.—Journal of Hellenic Studies, v. 116, 1996. Reproduced by permission.—Journal of Religion, v. 80, July 2000. Reproduced by permission.— Medium AEvum, v. 57, 1988 for “The Identification of a Lost English Analogue of the ‘Death of Begon’ Episode from the Old French Epic Garin le Loherain,” by Susan Cavanaugh. Reproduced by permission of the author.—Mnemosyne, v. 53, August 2000; v. 53, December 2000. Reproduced by permission of Brill Academic Publishers.—Modern Language Review, v. 9, January 1914. Reproduced by permission.—Romance Notes, v. 21, Winter 1980. Reproduced by permission.—Romania, v. 98, 1977 for “Garin le Loherain: Preliminary Report on a Rhymed Manuscript,” by Hillel Schwartz. Reproduced by permission of the author.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN CMLC, VOLUME 61, WERE RECEIVED FROM THE FOLLOWING SOURCES:

“The Sack of Troy,” oil painting by Jean Maublanc. The Art Archive/Musee des Beaux Arts Besancon/Dagli Orti. Reproduced by permission.— St. Frances Preaching Before Honorius III, photograph by Elio Ciol. Corbis. Reproduced by permission.

Literary Criticism Series Advisory Board

The members of the Gale Group Literary Criticism Series Advisory Board—reference librarians and subject specialists from public, academic, and school library systems—represent a cross-section of our customer base and offer a variety of informed perspectives on both the presentation and content of our literature criticism products. Advisory board members assess and define such quality issues as the relevance, currency, and usefulness of the author coverage, critical content, and literary topics included in our series; evaluate the layout, presentation, and general quality of our printed volumes; provide feedback on the criteria used for selecting authors and topics covered in our series; provide suggestions for potential enhancements to our series; identify any gaps in our coverage of authors or literary topics, recommending authors or topics for inclusion; analyze the appropriateness of our content and presentation for various user audiences, such as high school students, undergraduates, graduate students, librarians, and educators; and offer feedback on any proposed changes/ enhancements to our series. We wish to thank the following advisors for their advice throughout the year.

Dr. Toby Burrows Mary Jane Marden

Principal Librarian Literature and General Reference Librarian The Scholars’ Centre St. Petersburg Jr. College University of Western Australia Library

Mark Schumacher David M. Durant Jackson Library Joyner Library University of North Carolina at Greensboro East Carolina University

Gwen Scott-Miller Steven R. Harris Assistant Director of Materials and Programming English Literature Librarian Sno-Isle Regional Library System University of Tennessee Marysville, WA