Criticism > Classical and Medieval Literature Criticism > Bion - Copyright Page

Jelena O. Krstovic´

COPYRIGHTED EXCERPTS IN CMLC, VOLUME 39, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

Books Abroad, v. 39, May, 1965. Copyright 1965 by the University of Oklahoma Press. Reproduced by permission.—The Criterion, v. 9, October, 1929; v. 10, January, 1930. Both reproduced by permission of Faber & Faber Ltd.—Dante Studies, v. XCVII, 1979. Reproduced by permission.—The English Historical Review, v. 74, April, 1959. Reproduced by permission of Oxford University Press.—Italian Quarterly, v. 12, Summer, 1968. Copyright © 1968 by Italian Quarterly. Reproduced by permission.—Mediaeval Studies, v. 29, 1967. Reproduced by permission.—Michigan Academician, v. X, Fall, 1977. Copyright © The Michigan Academy of Science, Arts, and Letters, 1977. Reproduced by permission of the publisher.—The Sewanee Review, v. 74, April-June, 1966. Copyright © 1966 by The University of the South. Reproduced with permission of the editor.—Speculum, v. 16, 1941. Copyright 1941, renewed 1969 by Medieval Academy of America. Reproduced by permission of the Medieval Academy of America.—Studies in Philology, v. LXVI, January, 1969. Copyright © 1969 by the University of North Carolina Press. Used by permission of the publisher.—Symposium, v. XIX, Winter, 1965. Copyright © 1965 Helen Dwight Reid Educational Foundation. Reproduced with permission of the Helen Dwight Reid Educational Foundation, published by Heldref Publications, 1319 18th Street, NW, Washington, DC 200361802.—Traditio, v. XXXIII, 1977. Reproduced by permission of Fordham University Press.—University of Toronto Quarterly, v. XLIII, Spring, 1974. © University of Toronto Press 1974. Reproduced by permission of University of Toronto Press Incorporated.

COPYRIGHTED EXCERPTS IN CMLC, VOLUME 39, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Armstrong, David. From Horace. Yale University Press, 1989. Copyright © 1989 by Yale University. All rights reserved. Reproduced by permission.—Baltzer, Rebecca A. For “Music in the Life and Times of Eleanor of Aquitaine,” in Eleanor of Aquitaine: Patron and Politician. Edited by William W. Kibler. University of Texas Press, 1976. Copyright © 1976 by University of Texas Press. All rights reserved. Reproduced by permission of University of Texas Press.—Blodgett, E. D. From “Dante’s ‘Purgatorio’ as Elegy,” in The Rarer Action: Essays in Honor of Francis Fergusson. Edited by Alan Cheuse and Richard Koffler. Rutgers University Press, 1970. Copyright © 1970 by Rutgers, The State University of New Jersey. Reproduced by permission of Rutgers University Press.—Bonavia-Hunt, Noel A. From Horace and His Minstrel: A Practical and Aesthetic Study of His Aeolic Verse. The Roundwood Press, 1969. © The family of the late Noel A. Bonavia-Hunt, 1969.—Commager, Henry Steele. From The Odes of Horace: A Critical Study. Yale University Press, 1962. Copyright © 1962, renewed 1990 by Yale University. Reproduced by permission.—Duff, J. Wight. From Roman Satire: Its Outlook on Social Life. University of California Press, 1936. Copyright, 1936, renewed 1964, by The Regents of the University of California. Reproduced by permission.—Fergusson, Francis. From Dante’s Drama of the Mind: A Modern Reading of the “Purgatorio.” Princeton University Press, 1953. Copyright, 1953, by Princeton University Press. Renewed 1981 by Francis Fergusson. Reproduced by permission of Princeton University Press.—Freudenburg, Kirk. From The Walking Muse: Horace on the Theory of Satire. Princeton University Press, 1993. Copyright © 1993 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Highet, Gilbert. From The Anatomy of Satire. Princeton University Press, 1962. Copyright © 1962, renewed 1990 by Gilbert Highet. Reproduced by permission of Princeton University Press.—Kindstrand, Jan Fredrik. From Bion of Borysthenes: A Collection of the Fragments with Introduction and Commentary. Uppsala University, 1976. © Jan Fredrik Kindstrand 1976. Reproduced by permission.—Lee, M. Owen. From Word, Sound, and Image in the Odes of Horace. The University of Michigan Press, 1969. Copyright © by The University of Michigan 1969. All rights reserved. Reproduced by permission.—Minadeo,

Richard. From The Golden Plectrum: Sexual Symbolism in Horace’s “Odes.” Rodopi, 1982. © Editions Rodopi B.V., 1982. Reproduced by permission.—Owen, D. D. R. From Eleanor of Aquitaine: Queen and Legend. Blackwell Publishers, 1993. Copyright © D. D. R. Owen 1993. All rights reserved. Reproduced by permission of Blackwell Publishers.— Porter, David H. From Horace’s Poetic Journey: A Reading of “Odes” 1-3. Princeton University Press, 1987. Copyright © 1987 by Princeton University Press. All rights reserved. Reproduced by permission of Princeton University Press.—Rudd, Niall. From The Satires of Horace. Cambridge at the University Press, 1966. © Cambridge University Press, 1966. Reproduced by permission of Gerald Duckworth & Co., Ltd.—Scott, John A. From Dante’s Political Purgatory. University of Pennsylvania Press, 1966. Copyright © 1966 by the University of Pennsylvania Press. All rights reserved. Reproduced by permission.—Van Rooy, C. A. From Studies in Classical Satire and Related Literary Theory. E. J. Brill, 1965. Copyright 1965 by E. J. Brill. All rights reserved. Reproduced by permission.

PHOTOGRAPHS APPEARING IN CMLC, VOLUME 39, WERE RECEIVED FROM THE FOLLOWING SOURCES:

Dante and Virgil, painting by Delacroix. Corbis-Bettmann. Reproduced by permission.—Eleanor of Aquitaine, painting. Archive Photos, Inc. Reproduced by permission.—Horace, lithograph. Archive Photos, Inc. Reproduced by permission.