The Canterville Ghost | Introduction
"The Canterville Ghost'' was first published serially in 1887 in Court and Society Review, a magazine for the leisured upper classes. The story did not immediately receive much critical attention, and indeed Wilde was not viewed as an important author until the publication, during the 1890s, of his novel The Picture of Dorian Gray (1891) and of several well-received plays, including The Importance of Being Earnest (1895). In 1891, ‘‘The Canterville Ghost’’ was republished in Lord Arthur Savile's Crime, and Other Stories.
The collected stories were severely criticized by contemporary reviewers; early critics found Wilde's work unoriginal and derivative. More recently critics have celebrated Wilde's ability to play with the conventions of many genres. In ‘‘The Canterville Ghost,’’ Wilde draws upon fairy tales, Gothic novels, and stories of Americans abroad to shape his comic ghost story. Though Wilde offers a comic treatment, he finds inspiration for Sir Simon's character in Alfred Tennyson's serious poem "Maud," as well as in the Romantic poet Samuel Taylor Coleridge's "Christabel." Critics also point to the possible influence of Henry James's Portrait of a Lady (1881) on ‘‘The Canterville Ghost.’’
Wilde used a myriad of comic sources to shape his story. Thomas De Quincey's ‘‘Murder Considered as One of the Fine Arts,’’ a satirical essay, is one apparent source. Wilde would also have been aware of Jane Austen's Northanger Abbey (1818), a parody of the Gothic novel so popular in the early nineteenth century. Finally, Wilde's own experience on the lecture circuit in the United States undoubtedly helped him ridicule stereotypical American behavior. Indeed, one of the major themes in the story is the culture clash between a sixteenth-century English ghost and a late nineteenth-century American family. But the story also examines the disparity between the public self and the private self, a theme to which Wilde would return again in his later writings.
The Canterville Ghost Summary
Purchasing Canterville Chase
As the story opens, Horace B. Otis, the brusque American minister, ignores the warnings of several English friends and buys the haunted Canterville Chase. Lord Canterville desires to sell the home but feels honor-bound to tell Otis stories of skeleton hands and mysterious noises. However, Otis refuses to believe in the existence of ghosts.
The Persistent Blood Stain
The Otis family moves into the Chase, a Tudor mansion. Mrs. Lucretia Otis, disturbed by a blood stain in the sitting-room, orders that it be removed at once. But the housekeeper, Mrs. Umney, explains that the blood stain dates back to 1575, the day Lady Eleanore de Canterville was murdered by her husband, Sir Simon, and cannot be removed. Washington Otis, the oldest son, quickly declares that Pinkerton's Champion Stain Remover and Paragon Detergent will prove a match for even so historic a stain. Before the housekeeper can stop him, Washington drops to his knees and scrubs out the blood. Thunder and lightening greet his success, and Mrs. Umney faints in fear. The stain, however, reappears the following morning, and again Pinkerton's is applied. But each successive morning brings a new stain, and the Otises begin to believe that the Chase really is haunted.
The Ghost Appears
Several nights later, Mr. Otis awakes to the sound of clanking metal. In the hallway, he encounters a ghost with burning-red eyes, matted hair, and heavy chains. As a practical American, Mr. Otis suggests to the Ghost that Tammany Rising Sun Lubricator will quiet his chains. The Ghost, stunned by this effrontery, is further insulted as the young Otis twin boys throw pillows at his head. The Ghost retires to his chamber and ponders his past glories of terrifying housemaids and driving members of the aristocracy to madness and suicide. Refusing to be intimidated by upstart Americans, the Ghost plans his revenge. Meanwhile, the Otises discuss the Ghost and note the changing hues of the sitting-room bloodstain. Only the beautiful... » Complete The Canterville Ghost Summary
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