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The Burning House (Masterplots II: Women’s Literature Series)

Form and Content

Of the sixteen stories in Ann Beattie’s short-story collection The Burning House, twelve are rendered in the present tense by a first-person narrator. The present tense remains intact even when past events are being recounted; there is a regular movement between an immediate present and a past made present. The effect of this technical choice is to impart great immediacy to the conflict in each story. Moreover, the narrator is always an interested rather than a neutral party, which further heightens the pressure of the conflict and the search for its...

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