Brave New World | Copyright

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COPYRIGHTED EXCERPTS IN NFS, VOLUME 6, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

American Literature, v. 31, January, 1960; v. 49, May, 1977. Copyright © 1960, 1977 Duke University Press, Durham, NC. Both reproduced by permission.

American Studies, v. 32, Fall, 1991 for "The Problem with Classroom Use of Upton Sinclair's The Jungle" by Louise Carroll Wade. Copyright © Mid-American Studies Association, 1991. Reproduced by permission of the publisher and the author.

California Slavic Studies, v. X, 1977 for "A Camp through the Eyes of a Peasant: Solzhenitsyn's One Day in the Life of Ivan Denisovich" by David Pike. Reproduced by permission of the publisher.

Contemporary Literature, v. XXVIII, Winter, 1987. ©1987 by the Board of Regents of the University of Wisconsin System. Reproduced by permission of The University of Wisconsin Press.

Criticism, v. XXXI, Fall, 1989 for "Questioning Race and Gender Definitions: Dialogic Subversions in The Woman Warrior" by Malini Schueller. Copyright © 1989 Wayne State University Press, Detroit, Michigan. Reproduced by permission of the publisher.

Extrapolation, v. 21, Fall, 1980. Copyright © 1980 by Kent State University Press. Reproduced by permission.

The International Fiction Review, v. 20, 1993. © copyright 1993 International Fiction Association. Reproduced by permission.

Kansas Quarterly, v. 21, Fall, 1989 for "Ragtime as Auto-Biography" by Marshall Bruce Gentry. © copyright 1989 by the Kansas Quarterly. Reproduced by permission of the publisher and the author.
Literature and Psychology, v. XVII, 1967. Copyright © 1968 by Leonard F. Manheim and Morton Kaplan. Reproduced by permission.

The Massachusetts Review, v. XXI, Winter, 1980. 1980. Reproduced from The Massachusetts Review, The Massachusetts Review, Inc., by permission.

The Mississippi Quarterly, v. XLI, Winter, 1987-88. Copyright 1987-88. Mississippi State University. Reproduced by permission.

The New Republic, v. 175, October 30, 1976. © 1976 The New Republic, Inc. Reproduced by permission of The New Republic.

The New York Times Book Review, September 13, 1987. Copyright © 1987 by The New York Times Company. Reproduced by permission.

Nineteenth-Century Fiction, v. 39, December, 1984 for "`The Crown without the Conflict': Religious Values and Moral Reasoning in Uncle Tom's Cabin" by Thomas P. Joswick. © 1984 by The Regents of the University of California. Reproduced by permission of The Regents and the author.

Revista Hispanica Moderna, v. XLVII, June, 1994. Reproduced by permission.

San Jose Studies, v. IX, Winter, 1983 for "The Importance of Food in One Day in the Life of Ivan Denisovich" by Alfred Cismaru. Copyright © 1983 by the San Jose State University Foundation. Reproduced by permission of the publisher and the author.

Studies in American Fiction, v. 18, Spring, 1990. Copyright © 1990 Northeastern University. Reproduced by permission.

Tamkang Review, v. XIV, Autumn, 1983-Summer, 1984. Reproduced by permission.
Texas Studies in Literature and Language, v. XXXIV, Summer, 1992 for "The Hairy Maid at the Harpsichord: Some Speculations on the Meaning of Gulliver's Travels" by Dennis Todd. Copyright © 1992 by the University of Texas Press. All rights reserved. Reproduced by permission of the publisher.

COPYRIGHTED EXCERPTS IN NFS, VOLUME 6, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Beckham, Richard H. From "Huxley's Brave New World as Social Irritant: Ban It or Buy It?" in Censored Books: Critical Viewpoints. Nicholas J. Karolides, Lee Burress, John M. Kean, eds. The Scarecrow Press, Inc., 1993. Copyright © 1993 by Nicholas J. Karolides, Lee Burress, John M. Kean. Reproduced by permission.

Elliott, Robert C. From The Power of Satire: Magic, Ritual, Art. Princeton University Press, 1960. Copyright © 1960 by Princeton University Press. Renewed 1988 by Mary C. Elliott. Reproduced by permission of the Literary Estate of Robert C. Elliott.

Firchow, Peter Edgerly. From The End of Utopia: A Study of Aldous Huxley's Brave New World.
Bucknell University Press, 1984. Reproduced by permission.

Rideout, Walter B. From The Radical Novel in the United States, 1900-1954: Some Interrelations of Literature and Society. Harvard University Press, 1956. Copyright 1956 President & Fellows of Harvard College. Copyright renewed 1984 by Walter Bates Rideout. All rights reserved. Reproduced by permission of the author.

Tarrow, Susan. From Exile from the Kingdom: A Political Rereading of Albert Camus. University of Alabama Press, 1985. Copyright © 1985 by The University of Alabama Press. All rights reserved. Reproduced by permission.

Trilling, Diana. From Claremont Essays. Harcourt Brace & World, 1964. Copyright © 1962, renewed 1992 by Diana Trilling. First published as a preface to the 1962 Crowell-Collier edition to Tom Sawyer. Reproduced with the permission of The Wylie Agency, Inc.

Ziolkowski, Theodore. From The Novels of Hermann Hesse: A Study in Theme and Structure.
Princeton University Press, 1965. Copyright © 1965 by Princeton University Press. Reproduced by permission of Princeton University Press.

PHOTOGRAPHS AND ILLUSTRATIONS APPEARING IN NFS, VOLUME 6, WERE RECEIVED FROM THE FOLLOWING SOURCES:

AP/WIDE WORLD PHOTOS: Allende, Isabel, photograph. AP/Wide World Photos. Reproduced by permission.—Allende, Salvador, 1970, photograph. AP/Wide World Photos. Reproduced by permission.—Camus, Albert, photograph. AP/Wide World Photos. Reproduced by permission.—Ford Motor Company Model T assembly line, photograph. AP/Wide World Photos. Reproduced by permission.—George and Charlie, newborn cows created through cloning and genetic engineering, 1998, photograph. AP/Wide World Photos. Reproduced by permission.—Huxley, Aldous, photograph. AP/Wide World Photos. Reproduced by permission.—McCullers, Carson, photograph. AP/Wide World Photos. Reproduced by permission.—Morrison, Toni, New York City, 1987, photograph by David Bookstaver. AP/Wide World Photos. Reproduced by permission.—National Women's Liberation Party, photograph. AP/Wide World Photos. Reproduced by permission.—One-room schoolhouse, circa 1886, photograph by Jacob Riis. AP/Wide World Photos. Reproduced by permission.—Shanghai street scene, photograph. AP/Wide World Photos. Reproduced by permission.—Solzhenitsyn, Alexander, photograph. AP/Wide World Photos. Reproduced by permission.—Thomas, Jonathan Taylor, in a scene from Tom Sawyer, photograph. AP/Wide World Photos. Reproduced by permission.—Winfrey, Oprah, with Danny Glover in a scene from Beloved, photograph. AP/Wide World Photos. Reproduced by permission.

ARCHIVE PHOTOS: Hemingway, Ernest, 1937, Africa, photograph. Archive Photos, Inc. Reproduced by permission.—Rollins, Howard, in the film Ragtime, photograph. Archive Photos, Inc. Reproduced by permission.

BETTMAN ARCHIVE/NEWSPHOTOS, INC.: Doctorow, E. L., photograph. The Bettmann Archive/Newsphotos, Inc. Reproduced by permission.

MIRIAM BERKLEY: Kingston, Maxine Hong, photograph by Miriam Berkley. Miriam Berkley. Reproduced by permission.

CORBIS/ADAM WOOLFITT: El Oued Dunes, photograph. Corbis/Adam Woolfitt. Reproduced by permission.

CORBIS/AFP: Demonstrator at Day of Political Protest, photograph. Corbis/AFP. Reproduced by permission.

CORBIS/ARNE HODALIC: Cuban fisherman, photograph. Corbis/Arne Hodalic. Reproduced by permission.

CORBIS-BETTMAN: Armed guard at stadium, photograph. Corbis/Bettmann. Reproduced by permission.—Chinese section of hunger parade, photograph. Corbis/Bettmann. Reproduced by permission.—Ford, Henry I, 1946, Dearborn, Michigan, photograph. Corbis-Bettmann. Reproduced by permission.—Girl dancing at Love-In, photograph. Corbis-Bettmann. Reproduced by permission.—Hesse, Hermann, photograph. Corbis-Bettmann. Reproduced by permission.—St. Patrick's Cathedral, Dublin, Ireland, photograph. Corbis-Bettmann. Reproduced by permission.—Sellers, Catherine, and Marc Cassot with Albert Camus in stage production of Sensitive Translator, photograph. Corbis-Bettmann. Reproduced by permission.—Sinclair, Upton, photograph. Corbis-Bettmann. Reproduced by permission. "Southern Industry," c. 1850, engraving. Corbis-Bettmann. Reproduced by permission. Swift, Jonathan, painting. Corbis-Bettmann. Reproduced by permission.

THE KOBAL COLLECTION: Courtenay, Tom, in One Day in the Life of Ivan Denisovich, movie still. The Kobal Collection. Reproduced by permission.— Locke, Sondra and Alan Arkin, from the film The Heart Is a Lonely Hunter, photograph. The Kobal Collection. Reproduced by permission.— Siddhartha, movie still, photograph. The Kobal Collection. Reproduced by permission.

LIBRARYOF CONGRESS/CORBIS: Packing house workers splitting hog backbones, 1906, Chicago, Illinois, photograph. The Library of Congress/Corbis. Reproduced by permission.

NBC/THE KOBAL COLLECTION: Danson, Ted, in the television movie Gulliver's Travels, photograph. NBC/The Kobal Collection. Reproduced by permission.

REUTERS/CORBIS-BETTMAN: Worshipers bowing before seated Buddha, 1989, Singapore, photograph. Reuters/Corbis-Bettmann. Reproduced by permission.

UPI/CORBIS-BETTMAN: Engineering camp of Union soldiers, Civil War era, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—Firing squad executing Bolsheviks, January 16, 1920, photograph. UPI/Corbis-Bettmann. Reproduced by permission.—LeGuin, Ursula K, photograph.

UPI/Corbis-Bettmann. Reproduced by permission.—Tracy, Spencer, in the film The Old Man and the Sea, 1956, photograph. UPI/Corbis-Bettmann. Reproduced by permission.