At the Bottom of the River (Masterplots II: Women’s Literature Series)

Form and Content

At the Bottom of the River has been called ten short “pieces” rather than stories because its unconventional, lyrical style suspends linear narrative and realistic characterization. Kincaid’s balancing of what is said with how it is said emphasizes language, an issue of concern for many women writers. Threads of language from the Bible, epics, and folk tales are woven together into fragments of the world as seen through the eyes of an African Caribbean girl. Most of these pieces appeared in The New Yorker and The Paris Review, yet...

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