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The Bond (Masterplots, Definitive Revised Edition)

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Critique:

THE LINK, a one-act play in sixteen scenes, is one of Strindberg’s briefer attempts to deal dramatically with the problems of marriage and divorce—problems which concerned him personally throughput his adult life. (He had experienced the first of his three divorces in 1891, and there are undoubtedly autobiographical connections here.) The “link,” which gives the play its title, is the child of the two people who wish to be separated. The child holds them together when everything else is gone between them; the desire to prevent the child from becoming a...

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