Black Beauty | Copyright

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These eNotes are an offprint from Novels For Students: Presenting Analysis, Context, and Criticism on Commonly Studied Novels.

Novels For Students

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The editors wish to thank the copyright holders of the excerpted criticism included in this volume and the permissions managers of many book and magazine publishing companies for assisting us in securing reproduction rights. We are also grateful to the staffs of the Detroit Public Library, the Library of Congress, the University of Detroit Mercy Library, Wayne State University Purdy/Kresge Library Complex, and the University of Michigan Libraries for making their resources available to us. Following is a list of the copyright holders who have granted us permission to reproduce material in this volume of Novels for Students (NfS). Every effort has been made to trace copyright, but if omissions have been made, please let us know.

COPYRIGHTED MATERIALS IN NfS, VOLUME 22, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:

www.About.com, December 28, 2004 for “Black Beauty,” by Paula Kirman. Copyright © 2002 by Paula Kirman (http://womenwriters .about.com). All rights reserved. Used with permission of About, Inc., which can be found on the Web at www.about.com.—American Literary Realism 1870–1910, v. 25, fall, 1992. Copyright © 1992 by the Department of English, The University of New Mexico. Reproduced by permission of the publisher.—Baker Street Journal, v. 40, June, 1990. Copyright © 1990 by The Baker Street Irregulars. All rights reserved. Reproduced by permission.—English Journal, v. 60, October, 1971. Reproduced by permission.—Negro American Literature Forum, v. 3, spring, 1969 for “The Politics of Passing: The Fiction of James Weldon Johnson,” by Richard Kostelanetz. Copyright © Indiana State University 1969. Reproduced by permission of the author./ v. 4, winter, 1970 for “Contemporary Themes in Johnson’s Autobiography of An Ex-Coloured Man,” by Robert E. Fleming. Copyright © 1970 by Indiana State University. Reproduced by permission of the publisher and author.—Newsweek, v. 129, May 26, 1997. Copyright © 1997 Newsweek, Inc. All rights reserved. Reprinted by permission.—Southern Literary Journal, v. 22, fall, 1990; v. 25, spring, 1993; v. 28, spring, 1996. Copyright © 1990, 1993, 1996 by the University of North Carolina Press. All used
by permission.—Studies in American Fiction, v. 3, spring, 1975. Copyright © 1975 by Northeastern University. Reproduced by permission.— Twentieth Century Literature, v. 43, spring, 1997; v. 45, fall, 1999. Copyright 1997, 1999, Hofstra University Press. Both reproduced by permission.— Women’s Review of Books, v. 14, September, 1997 for “The Age of Innocence,” by Ritu Menon. Reproduced by permission.

COPYRIGHTED MATERIALS IN NfS, VOLUME 22, WERE REPRODUCED FROM THE FOLLOWING BOOKS:

Bardolph, Jacqueline. From “Language is Courage: The Satanic Verses,” in Reading Rushdie: Perspectives on the Fiction of Salman Rushdie. Edited by M. D. Fletcher. Rodopi, 1994. Copyright © 1994 Editions Rodopi B. V. Reproduced by permission.—Bennett, Bridget. From The Damnation of Harold Frederic: His Lives and Work. Syracuse University Press, Syracuse, NY 1997. Copyright © 1997 by Syracuse University Press. All rights reserved. Reproduced by permission.—Burke, John J., Jr. From “The Romantic Window and the Postmodern Mirror: The Medieval Worlds of Sir Walter Scott and Umberto Eco,” in Scott in Carnival. Edited by J. H. Alexander and David Hewitt. Association for Scottish Literary Studies, 1993. Copyright © John J. Burke, Jr. Reproduced by permission of the author.—Carroll, Eugene T. From “Mood and Music: Landscape and Artistry in A Death in the Family,” in James Agee: Reconsiderations. Edited by Michael A. Lofaro. University of Tennessee Press, 1992. Copyright © 1992 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.— Dissanayake, Wimal. From “Self, Place, and Body in The Woman in the Dunes: A Comparative Study of the Novel and the Film,” in Literary Relations, East and West: Selected Essays, 1990. Edited by Jean Toyama and Nobuko Ochner. Copyright © 1990 by the College of Languages, Linguistics and Literature, University of Hawaii at Manoa, Honolulu, Hawaii, 96822. All rights reserved. Reproduced by permission.—Dooley, David J. From The Art of Sinclair Lewis. University of Nebraska Press, 1967. Copyright © 1967 by the University of Nebraska Press. Renewed 1995 by The University of Nebraska Press. All rights reserved. Reproduced by permission of the University of Nebraska Press.— Ellerby, Janet Mason. From “Narrative Imperialism in The Satanic Verses,” in Multicultural Literatures through Feminist/Poststructuralist Lenses. Edited by Barbara Frey Waxman. University of Tennessee Press, 1993. Copyright © 1993 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.—Keene, Donald. From Five Modern Japanese Novelists. Columbia University Press, 2003. Copyright © 2003 Columbia University Press, New York. All rights reserved. Republished with permission of the Columbia University Press, 61 W. 62nd St., New York, NY 10023.—Kramer, Victor A. From “Urban and Rural Balance in A Death in the Family,” in James Agee: Reconsiderations. Edited by Michael A. Lofaro. University of Tennessee Press, 1992. Copyright © 1992 by The University of Tennessee Press. Reproduced by permission of The University of Tennessee Press.—Light, Martin. From The Quixotic Vision of Sinclair Lewis. Purdue University Press, 1975. Copyright © 1975 by the Purdue Research Foundation. Reproduced by permission.— Lundquist, James. From Sinclair Lewis. Frederick Ungar Publishing, 1973. Copyright © 1973 by Frederick Ungar Publishing Co., Inc. Reproduced by permission of The Continuum International Publishing Group.—O’Mahony, Brendan. From “The Name of the Rose: ‘Tractatus Contra Zelotes,’” in Italian Storytellers: Essays on Italian Narrative Literature. Edited by Eric Haywood and Cormac O’Cuilleanain. Foundation for Italian Studies, 1989. Copyright © 1989 Foundation for Italian Studies, University College Dublin. Reproduced by permission.— Pearce, Richard. From “Sophie’s Choices,” in The Achievement of William Styron, Revised Edition. Edited by Robert K. Morris, with Irving Malin. University of Georgia Press, 1981. Copyright © 1975, 1981 by the University of Georgia Press. All rights reserved. Reproduced by permission.—Pollack, David. From Reading “Against” Culture: Ideology and Narrative in the Japanese Novel. Cornell University Press, 1992. Copyright © 1992 by Cornell University. Used by permission of the publisher, Cornell University Press.—Portelli, Alessandro. From “The Tragedy and the Joke: James Weldon Johnson’s The Autobiography of an Ex-Coloured Man,” in Temples for Tomorrow: Looking Back at the Harlem Renaissance. Edited by Genevieve Fabre and Michel Feith. Indiana University Press, 2001. Copyright © 2001 by Indiana University Press. Reproduced by permission.—Reid, Robin Anne. From Ray Bradbury: A Critical Companion. Greenwood Press, 2000. Copyright © 2000 by Robin Anne Reid. All rights reserved. Reproduced by permission of Greenwood Publishing Group, Inc., Westport, CT.—Sirlin, Rhoda. From an Introduction to William Styron’s “Sophie’s Choice”: Crime and Self-Punishment. UMI Research Press, 1990. Copyright © 1990 by Rhoda Sirlin. All rights reserved. Reproduced by permission of the author.