The Birthday Party | Critical Overview
The nearly unanimous negative reviews that assaulted the 1958 London premier of Pinter's The Birthday Party baffled the young playwright but never dampened his spirits. Those early reviewers, with the exception of Harold Hobson, found Pinter's play unfunny, obscure, and derivative. In the Evening Standard, Milton Shulman, scoffed that the work would "be best enjoyed by those who believe that obscurity is its own reward'' and further complained that the play was not very funny, in part because "the fun to be derived out of the futility of language’’ was becoming a...
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