Billy Budd | Copyright
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COPYRIGHTED MATERIALS IN NfS, VOLUME 9, WERE REPRODUCED FROM THE FOLLOWING PERIODICALS:
The American Scholar, v 27, Autumn, 1958. Reproduced by permission —The Armchair Detective, v. 27, May, 1994. Copyright (c) 1994 by The Armchair Detective Reproduced by permission.— Critical Quarterly, v. 51, Summer, 1995. (c) Manchester University Press 1995. Reproduced by permission of Basil Blackwell Limited.—-The Dalhousie Review, v. 56, Spring, 1976 for "The Creation of an Ordered World in 'Robinson Crusoe'" by Robert H. MacDonald. Reproduced by permission of the publisher and the author—English Journal, v. 81, April, 1981 for a review of "New Writes of Passage," by Jean Duncan, Carol Dye, Joan Lazarus, Diane Schwartzmann, Jill A Warner and Rita Hendin. Copyright (c) by the National Council of Teachers of English. Reprinted by permission of the publisher.—Extrapolation, v. 28, Winter, 1987. Copyright 1987 by The Kent State University Press. Reprinted by permission of the publisher.—The Hudson Review, v. XXH, Spring, 1969. Copyright (c) 1969 by The Hudson Review, Inc. Reprinted by permission of the publisher.— Journal of Popular Culture, v. 2,1980 Copyright (c) 1980 by Phillip F. O'Connor. Reprinted by permission of the publisher.—The New York Times Book Review, May 6, 1938, September 20, 1985, June 6, 1988, December 18, 1994. Copyright (c) 1938,1985,1988,1994 The New York Times Company. Reprinted by permission of the publisher.— North Dakota Quarterly, v. 54, Winter, 1986. Copyright 1986 by The University of North Dakota. Reproduced by permission.—The Progressive, v. 59, July, 1995. Copyright (c) 1995, The Progressive, Inc. Reprinted by permission from The Progressive, 409 East Main Street, Madison, WI 53703.—Saturday Review, September 10, 1966. (c) 1979, General Media International, Inc. Reproduced by permission of The Saturday Review.— The South Atlantic Quarterly, v. 72, Winter, 1973. Copyright (c) 1973 by Duke University Press, Durham, NC. Reprinted with permission of the publisher.—Southern Humanities Review, v. xxix, Summer, 1995. Copyright 1995 by Auburn University. Reprinted by permission of the author.— The Southern Literary Journal, v XXVm, Spring, 1996. Copyright (c) 1996 by the Department of English, University of North Carolina at Chapel Hill. Reproduced by permission —Wilson Library Bulletin, v. 66, June, 1992 for "On the Beach" by Gene LaFaille Copyright (c) 1992 by the H. W. Wilson Company. Reproduced by permission of the author.—The Yale Review, v LVI, March, 1967. Copyright 1967, by Yale University. Reproduced by permission of the editors.
COPYRIGHTED MATERIALS IN NfS, VOLUME 9, WERE REPRODUCED FROM THE FOLLOWING BOOKS:
Daly, Jay. From Presenting S.E. Hinton. Twayne Publishers, 1987. Copyright 1987 by Jay Daly.—Eisinger, Chester E From "Lolita: Overview" in Reference Guide to American Literature, 3rd edition. Edited by Jim Kemp. St. James Press, 1994. Copyright (c) 1994 St. James Press. All rights reserved.—Levernier, James A. From '"The Last of the Mohicans': Overview" in Reference Guide to American Literature, 3rd edition. Edited by Jim Kemp. St. James Press, 1994. Copyright (c) 1994 St. James Press. All rights reserved.—Mansfield, Harvey C, Jr. From an overview of The Prince by Niccolo Machiavelli. Translated by Harvey C. Mansfield, Jr. University of Chicago Press, 1985. (c) 1985 by The University of Chicago. All rights reserved. Reproduced by permission.—Millichap, Joseph R. from Twentieth-Century Young Adult Writers, lst edition, edited by Laura Standley Berger, St. James Press 1994 Copyright (c) 1994 St. James Press.
PHOTOGRAPHS AND ILLUSTRATIONS APPEARING BSf NFS, VOLUME 9, WERE RECEIVED FROM THE FOLLOWING SOURCES:
A scene from the film "Out of Africa", 1985, by Universal Studios, based on the novel by Isak Dinesen, photograph Universal Studios. Courtesy of The Kobal Collection Reproduced by permission.—"A Song to Liberty" (Mirabal sisters, mural on an obelisk), Santo Domingo, Dominican Republic, 1997, photograph John Riley. AP/Wide World Photos. Reproduced by permission.—Alvarez, Julia, photograph by Jerry Bauer. Reproduced by permission.—Atom bomb blast, Nagasaki, Japan, 1945, photograph by Scott Camazine. The National Audubon Society Collection/Photo Researchers, Inc. Reproduced by permission.—Bates, Alan (with Dirk Bogarde and other men, in film "The Fixer"), photograph. Kobal Collection. Reproduced by permission.—-Brown, Rita Mae, photograph. AP/Wide World Photos. Reproduced by permission.—Columbus, Christopher, drawing. Corbis. Reproduced by permission.— Cooper, James Fenimore, drawing by Cacilie Brandt. National Portrait Gallery, Smithsonian Institution. Reproduced by permission.—Dachau Concentration Camp, mam entrance, 1949, Germany, photograph. AP/Wide World Photos. Reproduced by permission.—Day-Lewis, Daniel, in the movie "Last of the Mohicans," 1992, photograph. The Kobal Collection. Reproduced by permission.—Defoe, Daniel, photograph. Archive Photos, Inc. Reproduced by permission.—Dickey, James, photograph. AP/Wide World Photos. Reproduced by permission.—Dinesen, Isak, photograph. Archive Photos. Reproduced by permission.—■Dominican refugees (resting on deck of cutter, with U.S. Coast Guard personnel), photograph. Corbis. Reproduced by permission.— Dragon sculpture at Taoist Temple, photograph. Corbis. Reproduced by permission.—English and Native Americans fighting the French, French and Indian War, painting. The Library of Congress.— Estevez, Ermlio (with Matt Dillion and Meg Tilly, in film "Tex"), photograph. Kobal Collection. Reproduced by permission.—Fifteen views of British Man-of-war, photograph. Corbis Reproduced by permission.—French and Indian War, 1689-1763, map by Molly Braun. From Atlas of the North American Indian, by Carl Waldman. Facts on File Publications, 1985. Copyright (c) 1985 by Carl Waldman. All rights reserved. Reproduced by permission.—Gable, Clark and Vivien Leigh, in the film "Gone with the Wind," 1939, photograph. AP/Wide World Photos. Reproduced by permission.—Group of Kenyan male warriors, from Kikuyu tribe, photograph. Corbis. Reproduced by permission.—Haley, Alex, photograph. Corbis. Reproduced by permission.—Hinton, S.E., photograph by Thomas Victor. Reproduced by permission of the Estate of Thomas Victor.—Hussey, Pat (with "Micky" Moorshead and Ann Grey), photograph. Corbis. Reproduced by permission.—Irons, Jeremy and Dominique Swam, in the movie "Lolita," 1998, photograph by Peter Sorel. The Kobal Collection, (c) Alphatex. Reproduced by permission.—Khrushchev, Nikita S., photograph. AP/Wide World Photos. Reproduced by permission —Le Gum, Ursula, photograph by Lisa Kroeber. Reproduced by permission of Ursula Le Guin.—LeVar Burton, in a close-up scene from "Roots," photograph AP/Wide World Photos. Reproduced by permission.—Lyon, Sue (in scene from "Lolita"), photograph. Corbis. Reproduced by permission.-—Machiavelli, Niccolo, illustration. Archive Photos, Inc. Reproduced by permission.— Malamud, Bernard, photograph by Jerry Bauer. Reproduced by permission.—Map showing Triangular Trade, sea trade routes between North America, England, and the Ivory Coast of Africa, illustration. The Gale Group.—Melville, Herman, painting. Archive Photos, Inc. Reproduced by permission.— Mitchell, Margaret, photograph. Corbls-Bettmann. Reproduced by permission.—Nabokov, Vladimir, photograph. AP/Wide World Photos. Reproduced by permission. "Napoleon on Horseback at the St. Bernard Pass," painting by Jacques-Louis David, 1801, oil on canvas. Corbis/Francis G. Mayer. Reproduced by permission.—Older Jewish man sitting in a synagogue, photograph. Bildarchiv Preussischer Kulturbestiz. Reproduced by permission.—Peachtree Street, building standing in ruins on corner, Atlanta, Georgia, 1864, photograph by George N. Barnard. National Archives and Records Administration.—Peck, Gregory (with Ava Gardner, in scene from "On the Beach"), photograph. Corbis. Reproduced by permission.—Quinn, Aidan, in the film "Crusoe," photograph. The Kobal Collection. Reproduced by permission.— Selling drugs (boy holding out handful of pills), photograph by Robert J. Huffman. Field Mark Publications. Reproduced by permission.—Shute, Nevil (with Moira Shearer), photograph. Corbis. Reproduced by permission.—Slaves planting sweet potatoes, James Hopkins plantation, Edisto, SC, 1862, photograph. Archive Photos. Reproduced by permission.—Stamp, Terence (as Billy Budd), photograph. Culver Pictures, Inc. Reproduced by permission.—Title page from The Life and Strange Surprising Adventures of Robinson Crusoe by Robinson Crusoe. The Granger Collection, New York. Reproduced by permission.—Typical slave family (men, women and children outside of cabin), photograph by T.H O'Sullivan. The Library of Congress.—Villa Medici, drawing. Corbis. Reproduced by permission.—Voight, Jon, Burt Reynolds (drawing on bow), in the film "Deliverance," 1972, photograph The Kobal Collection. Reproduced by permission—Woman leading Gay Freedom Day Parade (holding sign reading "Lesbians are Beautiful"), photograph. Corbis. Reproduced by permission.
