The Basic Training of Pavlo Hummel | Style
Realism and Expressionism
While Pavlo Hummel struck audience members as a realistic portrayal of an American soldier's experience in Vietnam, this fact should not obscure the manner in which Rabe's play breaks from the form of theatrical realism. The interior dialogue between Ardell and Pavlo (continuing even after Pavlo's death) gives the play its psychological complexity, in a manner associated with expressionism (conversely, the psychology of characters in realism is revealed externally, through their actions) Rabe writes in his introduction to the play that it was...
[The entire page is 713 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- The Basic Training of Pavlo Hummel: Introduction
- The Basic Training of Pavlo Hummel: Summary
- The Basic Training of Pavlo Hummel: David Rabe Biography
- The Basic Training of Pavlo Hummel: Characters
- The Basic Training of Pavlo Hummel: Themes
- The Basic Training of Pavlo Hummel: Style
- The Basic Training of Pavlo Hummel: Historical Context
- The Basic Training of Pavlo Hummel: Critical Overview
- The Basic Training of Pavlo Hummel: Essays and Criticism
- The Basic Training of Pavlo Hummel: Compare and Contrast
- The Basic Training of Pavlo Hummel: Topics for Further Study
- The Basic Training of Pavlo Hummel: Media Adaptations
- The Basic Training of Pavlo Hummel: What Do I Read Next?
- The Basic Training of Pavlo Hummel: Bibliography and Further Reading
- The Basic Training of Pavlo Hummel: Pictures
- Copyright
Related Topics
Tell a friend about The Basic Training of Pavlo Hummel at eNotes.
