Home > The Barber of Seville Summary & Study Guide > Media Adaptations
The Barber of Seville | Media Adaptations
The Barber of Seville was adapted to a fouract opera, Il barbiere de Saviglia, in 1782. Giovanni Paisiello wrote the music, and Giuseppe Petrosellini wrote the libretto. A three-act comica opera, also entitled Il barbiere de Saviglia, was performed in 1816, with music composed by Gioacchino Rossini and a libretto written by Cesare Sterbine. While it was initially unfavorably received, partially because Paisiello’s opera was so popular, it has since been recognized as one of Rossini’s masterpieces. Numerous recordings of it are available. By the early twentieth century,...
[The entire page is 111 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- The Barber of Seville: Introduction
- The Barber of Seville: Summary
- The Barber of Seville: Pierre-Augustin de Beaumarchais Biography
- The Barber of Seville: Characters
- The Barber of Seville: Themes
- The Barber of Seville: Style
- The Barber of Seville: Historical Context
- The Barber of Seville: Critical Overview
- The Barber of Seville: Essays and Criticism
- The Barber of Seville: Compare and Contrast
- The Barber of Seville: Topics for Further Study
- The Barber of Seville: Media Adaptations
- The Barber of Seville: What Do I Read Next?
- The Barber of Seville: Bibliography and Further Reading
- The Barber of Seville: Pictures
- Copyright
Tell a friend about The Barber of Seville at eNotes.
