The Autobiography of Mark Twain | Personage
In the following essay excerpt, Krauth examines the problems and complexities present in Twain’s autobiography, including its fragmented form, its merging of fact and fiction, and its telling by both Samuel Clemens and Mark Twain.
‘‘All my books,’’ Twain once confessed, ‘‘are autobiographies.'' To an unusual degree this is true, as he mined his past for his fictions and recorded versions of his present for his travel books. At the same time, from at least 1870 on, he began to write sketches of his life experiences and his family that are more directly autobiographical. The impulse found new impetus in Vienna from 1897-98 and acquired a new mode in Florence in 1904 when he began to dictate (he had tried dictation briefly in 1885). Finally in 1906 he started the series of almost daily dictations...
[The entire page is 5439 words long]
Join eNotes
The above is a free excerpt. Get total access to this content with the:
Summary and Analysis – Themes – Characters – And much more...
Join eNotes
Over 3,500 study guides, question and answer forums, literature criticism, reference content, and much more!
Navigate
- The Autobiography of Mark Twain: Introduction
- The Autobiography of Mark Twain: Summary
- The Autobiography of Mark Twain: Mark Twain Biography
- The Autobiography of Mark Twain: Themes
- The Autobiography of Mark Twain: Style
- The Autobiography of Mark Twain: Historical Context
- The Autobiography of Mark Twain: Critical Overview
- The Autobiography of Mark Twain: Character Analysis
- The Autobiography of Mark Twain: Essays and Criticism
- The Autobiography of Mark Twain: Compare and Contrast
- The Autobiography of Mark Twain: Topics for Further Study
- The Autobiography of Mark Twain: What Do I Read Next?
- The Autobiography of Mark Twain: Bibliography and Further Reading
- The Autobiography of Mark Twain: Pictures
- Copyright
Related Topics
Tell a friend about The Autobiography of Mark Twain at eNotes.
