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The Autobiography of Mark Twain | Mark Twain and Collaborative Autobiography
In the following essay, Kiskis examines Twain’s reliance on ‘‘collaborating’’—trying his work out on family and friends—in his creative process, especially in the creation of his autobiography.
Our understanding of Mark Twain's creative process continues to be obscured by the complex myth that he, his heirs (literary and legal), and his critics have suggested and reinforced. It is a myth that has been fostered by Twain's own descriptions of his work habits, descriptions that have been too quickly accepted by critics as well as Twain enthusiasts. The myth suggests that Twain avoided work, that he was not interested in the mechanics of composing beyond the accumulation of words and pages, and, perhaps most importantly, that his use of various editors (Mary Fairbanks, Olivia...
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- The Autobiography of Mark Twain: Introduction
- The Autobiography of Mark Twain: Summary
- The Autobiography of Mark Twain: Mark Twain Biography
- The Autobiography of Mark Twain: Themes
- The Autobiography of Mark Twain: Style
- The Autobiography of Mark Twain: Historical Context
- The Autobiography of Mark Twain: Critical Overview
- The Autobiography of Mark Twain: Character Analysis
- The Autobiography of Mark Twain: Essays and Criticism
- The Autobiography of Mark Twain: Compare and Contrast
- The Autobiography of Mark Twain: Topics for Further Study
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