Dec 31, 2009
It is one of fate’s curious tricks that as Benjamin Robert Haydon’s reputation as a historical painter has diminished since his lifetime, the estimation of his writings has risen correspondingly. In the first quarter of the nineteenth century, the years principally covered by the AUTOBIOGRAPHY, Haydon’s friends gave encouragement and much-needed financial assistance to his efforts to bring England to an appreciation of the ideals of High Art, which to Haydon meant historical painting on an epic, Raphaelesque scale. His excursions with the pen,...
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