Information, Facts, and Links
William Shakespeare
Introduction
It wasn't his training: Shakespeare left school at age 15, and his contemporary Ben Johnson said Shakespeare had “little Latin and less Greek.” It wasn't where he was born: Stratford is still a pretty small town even today. It wasn't a long career: Shakespeare wrote all of his great works in about a twenty-five-year span and died relatively young at 52. It wasn't even his story ideas: the Bard adapted almost all his plots from known sources. No, what's impressive about Shakespeare is that his genius seems to have come from nowhere except himself. He penned comedies, tragedies, and lyric poems; and his mastery of language, character psychology, and emotion combined to make him the greatest writer in English.
Essential Facts
- Shakespeare married Anne Hathaway when he was 18. She was eight years older and gave birth six months after the wedding...suggesting they may have had to get married.
- Shakespeare’s will leaves his “second best bed” to his wife. Who got the best bed—and why?
- In 1890, Eugene Schieffelin released eighty starlings into New York’s Central Park because they were mentioned in Shakespeare’s Henry IV Part I. There are now hundreds of millions of starlings in America.
- Actors try to avoid saying “Macbeth” in a theater. Tradition (superstition?) says that it brings bad luck, so actors call it the “Scottish play” instead.
- Some say that Shakespeare didn’t write any of the works staged under his name. This theory became popular in the nineteenth century, and some say you can find clues to the real author (Francis Bacon?) all through the works...if you read closely enough.
Recommended Resources
All Resources by Category
- Criticism
- A Midsummer Night's Dream Criticism
- All's Well That Ends Well Criticism
- American Literary Criticism in the Nineteenth Century Criticism
- Antony and Cleopatra Criticism
- As You Like It Criticism
- As You Like It Essays
- Contemporary Feminist Criticism Criticism
- Coriolanus Criticism
- Deception in Shakespeare's Plays Criticism
- Dreams in Shakespeare Criticism
- Fathers and Daughters in Shakespeare Criticism
- Feminist Criticism in Shakespeare
- Hamlet Criticism
- Henry IV, Part One Criticism
- Henry V Criticism
- Julius Caesar Criticism
- King Lear Criticism
- Macbeth Criticism
- Marxist Criticism Criticism
- Measure for Measure Criticism
- Much Ado About Nothing Criticism
- Othello Criticism
- performance criticism: The Oxford Companion to Shakespeare
- Preface to Shakespeare Summary - Samuel Johnson
- psychoanalytic criticism: The Oxford Companion to Shakespeare
- Reader-Response Criticism Criticism
- Reinventing Shakespeare Review - Gary Taylor
- Richard II Criticism
- Richard III Criticism
- Ritual and Ceremony in Shakespeare's Plays Criticism
- Romantic Literary Criticism Criticism
- Romeo and Juliet Criticism
- Sexuality in Shakespeare Criticism
- Shakespeare And Classical Civilization Criticism
- Shakespeare Criticism in the Twentieth Century. - The Modern Language Review
- Shakespeare's Bawdy Criticism
- Shakespeare's Clowns and Fools Criticism
- Shakespeare's Representation of History Criticism
- Shakespeare's Representation of Women Criticism
- Sonnet 19 Criticism
- Sonnet 29 Criticism
- Sonnets Criticism
- The Comedy of Errors Criticism
- The Merchant of Venice Criticism
- The Open Worlde: The Exotic in Shakespeare Criticism
- The Taming of the Shrew Criticism
- The Tempest Criticism
- The Winter's Tale Criticism
- Truth and Decay in Shakespeare's Sonnets Criticism
- Twelfth Night Criticism
- War in Shakespeare's Plays Criticism
- Essays
- A Midsummer Night's Dream Essays
- Antony and Cleopatra Essays
- As You Like It Essays
- Coriolanus Essays
- Hamlet Essays
- Hamlet Essays
- Henry IV, Part One Essays
- Henry V Essays
- Julius Caesar Essays
- King Lear Essays
- Macbeth Essays
- Much Ado About Nothing Essays
- Othello Essays
- Richard II Essays
- Richard III Essays
- Romeo and Juliet Essays
- Sonnets Essays
- The Merchant of Venice Essays
- The Taming of the Shrew Essays
- Twelfth Night Essays
- ETexts
- A Midsummer Night's Dream eText
- All's Well That Ends Well eText
- Antony and Cleopatra eText
- As You Like It eText
- Coriolanus eText
- Cymbeline eText
- Hamlet eText
- Henry IV, Part II eText
- Henry IV, Part One eText
- Henry V eText
- Henry VI, Part 1 eText
- Henry VI, Part 2 eText
- Henry VI, Part 3 eText
- Henry VIII eText
- Julius Caesar eText
- King John eText
- King Lear eText
- Love's Labor's Lost eText
- Macbeth eText
- Measure for Measure eText
- Much Ado about Nothing eText
- Othello eText
- Pericles, Prince of Tyre eText
- Richard II eText
- Richard III eText
- Romeo and Juliet eText
- The Comedy of Errors eText
- The Merchant of Venice eText
- The Merry Wives of Windsor eText
- The Taming of the Shrew eText
- The Tempest eText
- The Two Gentleman of Verona eText
- The Two Noble Kinsmen eText
- The Winter's Tale eText
- Timon of Athens eText
- Titus Andronicus eText
- Troilus and Cressida eText
- Twelfth Night eText
- External Links
- Films
- Lesson Plans
- A Midsummer Night's Dream Lesson Plans
- Antony and Cleopatra Lesson Plans
- As You Like It Lesson Plans
- Hamlet Lesson Plans
- Julius Caesar Lesson Plans
- King Lear Lesson Plans
- Macbeth Lesson Plans
- Much Ado about Nothing Lesson Plans
- Othello Lesson Plans
- Richard III Lesson Plans
- Romeo and Juliet Lesson Plans
- The Comedy of Errors Lesson Plans
- The Merchant of Venice Lesson Plans
- The Taming of the Shrew Lesson Plans
- The Tempest Lesson Plans
- Other
- Characters in Shakespeare’s Plays: Shakespeare A to Z
- Romeo and Juliet Video Study Guide
- Translations of Shakespeare: Shakespeare A to Z
- William Shakespeare
- William Shakespeare
- William Shakespeare
- William Shakespeare
- William Shakespeare
- William Shakespeare
- William Shakespeare: The Dramatist
- William Shakespeare: The Man
- William Shakespeare: The Poet
- Overview
- Quotations
- Study Guides
- A Midsummer Night's Dream Study Guide (eNotes)
- All's Well That Ends Well Study Guide (eNotes)
- Antony and Cleopatra Study Guide (eNotes)
- As You Like It Study Guide (eNotes)
- Coriolanus Study Guide (eNotes)
- Cymbeline Study Guide (eNotes)
- Hamlet Study Guide (eNotes)
- Hamlet Video Study Guide
- Henry IV, Part II Study Guide (eNotes)
- Henry IV, Part One Study Guide (eNotes)
- Henry V Study Guide (eNotes)
- Henry VI, Part 1 Study Guide (eNotes)
- Henry VI, Part 2 Study Guide (eNotes)
- Henry VI, Part 3 Study Guide (eNotes)
- Henry VIII Study Guide (eNotes)
- Julius Caesar Study Guide (eNotes)
- King John Study Guide (eNotes)
- King Lear Study Guide (eNotes)
- Love's Labor's Lost Study Guide (eNotes)
- Macbeth Study Guide (eNotes)
- Measure for Measure Study Guide (eNotes)
- Much Ado about Nothing Study Guide (eNotes)
- Othello Study Guide (eNotes)
- Othello Video Study Guide
- Pericles, Prince of Tyre Study Guide (eNotes)
- Richard II Study Guide (eNotes)
- Richard III Study Guide (eNotes)
- Romeo and Juliet Study Guide (eNotes)
- Shakespeare's Sonnets Study Guide (eNotes)
- Sonnet 19 Study Guide (eNotes)
- Sonnet 29 Study Guide (eNotes)
- The Comedy of Errors Study Guide (eNotes)
- The Merchant of Venice Study Guide (eNotes)
- The Merry Wives of Windsor Study Guide (eNotes)
- The Taming of the Shrew Study Guide (eNotes)
- The Tempest Study Guide (eNotes)
- The Two Gentleman of Verona Study Guide (eNotes)
- The Two Noble Kinsmen Study Guide (eNotes)
- The Winter's Tale Study Guide (eNotes)
- Timon of Athens Study Guide (eNotes)
- Titus Andronicus Study Guide (eNotes)
- Troilus and Cressida Study Guide (eNotes)
- Twelfth Night Study Guide (eNotes)
