Introduction
Nobody did suffering better than Russian author Fyodor Dostoevsky—and with good reason. Raised by an alcoholic father and a sick mother, Dostoevsky had to contend with severe epilepsy at an early age. As a young man, he was exiled to Siberia, where he lived a torturous existence for five years. Yet he emerged from his imprisonment having undergone a kind of religious conversion and having developed a more conservative worldview. As a result, most of his great works were written in the last two decades of his life: Notes From Underground, Crime and Punishment, and The Idiot. Completed less than a year before his death, The Brothers Karamazov was Dostoevsky’s final novel. In it, he explores the murder of a father, the collapse of faith, and the (im)possibility of truth—suffering indeed.
Essential Facts
- Dostoevsky is considered one of the founding fathers of existentialism, and his 1864 novel Notes From Underground is seminal to the movement.
- Writers as diverse (and important!) as James Joyce, Virginia Woolf, and Ernest Hemingway have been influenced by Dostoevsky’s work.
- Dostoevsky was a relative contemporary, but not a colleague, of the other great nineteenth-century Russian writer, Leo Tolstoy. Scholars continue to debate the level of influence each exerted upon the other’s work.
- Dostoevsky is often compared to the great Russian composer Tchaikovsky, particularly because of their mutual ability to evoke great anguish. Despite the emotional parallels in their work, the two men only met once.
- Shortly before his death, Dostoevsky famously gave a speech at the unveiling of a monument to Alexander Pushkin, a Russian author whose writing deeply affected Dostoevsky.
Recommended Resources
All Resources by Category
- Art and Literature
- Articles
- The Oxford Companion to English Literature Article on Fyodor Dostoevsky
- The Oxford Companion to Shakespeare Article on Fyodor Dostoevsky
- Biography
- Author Profile
- Cyclopedia of World Authors
- Fyodor Dostoevsky - Dictionary of World Biography: The 19th Century
- Criticism
- A Raw Youth - Literary Characters
- Crime and Punishment - Literary Characters
- Crime and Punishment - Literary Places
- Critical Survey of Short Fiction
- Dostoevsky Short Story Criticism
- Fyodor Dostoevski - Identities and Issues in Literature
- Fyodor Dostoevski - Mystery and Detective Fiction
- Fyodor Dostoevski Censorship
- Fyodor Dostoevsky - Critical Survey of Long Fiction
- Letters from the Underworld - Identities and Issues
- Letters from the Underworld - Literary Characters
- Netochka Nezvanova - Literary Characters
- Notes From the Underground Short Story Criticism
- Poor Folk - Literary Characters
- Poor Folk - Literary Places
- The Brothers Karamazov - Literary Characters
- The Brothers Karamazov - Literary Places
- The Double - Literary Characters
- The Gambler - Literary Characters
- The Gambler - Literary Places
- The House of the Dead - Literary Characters
- The Idiot - Literary Characters
- The Idiot - Literary Places
- The Idiot Criticism
- The Insulted and the Injured - Literary Characters
- The Possessed - Literary Characters
- The Possessed - Literary Places
- Films
- Crime and Punishment (1935)
- Crime and Punishment (1970)
- Notes from Underground (1995)
- The Brothers Karamazov (1958)
- The Possessed (1988)
- History
- Lesson Plans
- Reviews
- Crime and Punishment - Book Review
- Letters from the Underworld - Book Review
- The Brothers Karamazov - Book Review
- The Idiot - Book Review
- The Possessed - Book Review
- Study Guides
- Crime and Punishment - Masterplots
- Crime and Punishment Study Guide (eNotes)
- Notes From Underground Study Guide (eNotes)
- The Brothers Karamazov - Masterplots
- The Brothers Karamazov Study Guide (eNotes)
- The Grand Inquisitor Study Guide (eNotes)
- The Possessed - Masterplots
- The Possessed Study Guide (quickNotes)
