Introduction
When theatergoers think of Clifford Odets, the first word that always comes to mind is “strike.” In the climactic finale of his taxi-union drama Waiting for Lefty, the workers unite in chanting, “Strike!” Odets made his name as a playwright for the Group Theatre, an influential collective of theater artists whose work defined drama for the next generation. Odets’s politicized, left-leaning writing epitomized the discontent of the masses during the height of the Great Depression. His work was particularly reflective of the ethnic diversity (and correlating oppression) of lower income residents of urban environments. Odets’s characters stand out in the theatrical canon for their highly political and philosophical reflections of daily struggles.
Essential Facts
- Before becoming a playwright for the Group Theatre, Odets tried briefly and unsuccessfully to be an actor.
- Many of Odets’s plays and screenplays were later adapted into stage musicals, including Golden Boy and the Tony Award-winning but short-lived Sweet Smell of Success.
- Following the demise of the Group Theatre, Odets went to Hollywood and became a successful screenwriter.
- Awake and Sing!, Odets’s 1935 play, was revived on Broadway more than seventy years later featuring an all-star cast that included Mark Ruffalo and Lauren Ambrose.
- Like fellow Group Theatre Alumna Elia Kazan, Odets named names when called before the House Un-American Activities Committee, resulting in the blacklisting of many of his former colleagues.
Recommended Resources
All Resources by Category
- Biography
- Criticism
- Clifford Odets Criticism
- Clifford Odets Criticism (Vol. 2)
- Clifford Odets Criticism (Vol. 28)
- Clifford Odets Criticism (Vol. 98)
- Films
- Other
- Awake and Sing!: The Oxford Companion to American Literature
- Awake and Sing!: The Oxford Dictionary of Plays
- Overview
- Clifford Odets
- Odets, Clifford: The Oxford Companion to American Literature
- Odets, Clifford: The Oxford Companion to English Literature
- Reviews
- Study Guides
