Bernard Malamud

Introduction

Bernard Malamud

Bernard Malamud is the Chekhov of the urban Jewish milieu. Like the elegant short stories of the great Russian author, Malamud’s writings were deeply rooted in social concerns. He was raised in Brooklyn, New York, and the experiences of hard-working immigrants were particularly important to him. Linguistically, Malamud depicted this world using a mélange of English and Yiddish, giving his stories a unique and powerful rhythm. The language further served as a commentary on the cultural mosaic that was (and still is) New York. Within this often-bleak landscape, Malamud saw glimmers of hope and possibility. In doing so, he managed to created honest depictions of the Jewish immigrant experience with lyrical touches that suggested the potential the future might hold.

Essential Facts

Although Malamud is not particularly known for sports writing or anything resembling Americana, one of his most loved works is the baseball story The Natural.
Malamud earned a Pulitzer Prize in 1967 for his book The Fixer. It was turned into an Oscar-nominated film starring Alan Bates the following year.
Like many writers, Malamud began his career writing short stories, which were later published in collections. He put out dozens of shorts throughout his career and won an O. Henry Award in the late 1960s.
As a professor, Malamud taught at Oregon State University and Bennington College.
For the past twenty years, the PEN/Malamud Award has recognized achievement in short-form writing. Notable recipients include celebrated novelist John Updike and the prolific Joyce Carol Oates.

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