Introduction
Arthur Miller defined American theater in the 1950s with seminal plays such as Death of a Salesman and The Crucible. But he was not simply a literary phenomenon. He became a pop-culture sensation when he married Marilyn Monroe in 1956. On the whole, his works are about an individual’s struggle with an oftentimes indifferent, harsh, or irrational society—something he learned about firsthand when he stood against Senator Eugene McCarthy’s House Committee on Un-American Activities. Before his death in 1996, Miller had also written screenplays, novels, short stories, nonfiction, and an autobiography. He based his works on his family, his friends, and his own life, and he filled them with the rage, the love, and the self-doubt that Miller himself felt.
Essential Facts
- Miller got the idea for Death of a Salesman from his uncle Manny, who was a salesman. Manny came to the opening of Miller’s earlier play All My Sons and bragged about his two unfortunate sons. Salesman opened at the Morosco Theatre on February 10, 1949, and closed 742 performances later on November 18, 1950
- Due to an old football injury, Miller was ineligible for military service during World War II, so he wrote patriotic plays for the radio. He also volunteered to repair military boats in New York harbor.
- Miller’s honors include the Pulitzer Prize, seven Tony Awards, two Drama Critics Circle Awards, an Obie, an Olivier, the John F. Kennedy Lifetime Achievement Award, and honorary doctorate degrees from Oxford University and Harvard University.
- Miller was investigated by the House Committee on Un-American Activities in 1956, the same year he married Marilyn Monroe. He refused to give up the names of any people he thought might be Communists and was cited for contempt of Congress. The Supreme Court reversed this ruling in 1958.
- Miller’s most fateful personal decision was to marry Marilyn Monroe. The tabloids called it a marriage between “the Owl and the Pussycat,” the union of intellect and beauty. Labeled as Miller’s femme fatale, Monroe helped destroy his reputation and was the only person he ever allowed to keep him from writing.
Recommended Resources
All Resources
- After the Fall - Literary Characters
- All My Sons (1948)
- All My Sons (1986)
- All My Sons - Literary Characters
- All My Sons - Literary Places
- All My Sons - The Oxford Dictionary of Plays
- All My Sons Lesson Plans
- All My Sons Movie Learning Guide
- All My Sons Study Guide (eNotes)
- Arthur Miller - Author Profile
- Arthur Miller - Contemporary Literary Criticism (Vol. 1)
- Arthur Miller - Contemporary Literary Criticism (Vol. 2)
- Arthur Miller - Contemporary Literary Criticism (Vol. 26)
- Arthur Miller - Contemporary Literary Criticism (Vol. 6)
- Arthur Miller - Critical Survey of Drama
- Arthur Miller - Cyclopedia of World Authors
- Arthur Miller - Dictionary of World Biography: The 20th Century
- Arthur Miller - The Oxford Companion to American Literature
- Arthur Miller - The Oxford Companion to English Literature
- Death of a Salesman (1986)
- Death of a Salesman - Book Review
- Death of a Salesman - Contemporary Literary Criticism
- Death of a Salesman - Identities and Issues
- Death of a Salesman - Literary Characters
- Death of a Salesman - Literary Places
- Death of a Salesman Lesson Plans
- Death of a Salesman Study Guide (eNotes)
- Incident at Vichy - Literary Characters
- The Crucible (1957)
- The Crucible (1996)
- The Crucible - Book Review
- The Crucible - Identities and Issues in Literature
- The Crucible - Literary Characters
- The Crucible - Literary Places
- The Crucible Lesson Plans
- The Crucible Movie Learning Guide
- The Crucible Study Guide (eNotes)
- The Crucible Study Guide (Master Plots II: Drama)
- The Price - Literary Characters
- Timebends - Book Review
