Introduction
Of all the great Russian writers in literary history, Anton Chekhov stands as perhaps the most touching and immediately accessible. He is remembered primarily for advancing two forms—the play and the short story. As a playwright, Chekhov emphasized mood over plot and is credited with influencing countless dramatists from his period onward, even though he wrote only five full-length plays during his lifetime: Ivanov, The Cherry Orchard, The Three Sisters, The Seagull, and Uncle Vanya. As a writer of short fiction, he perfected a tone of sympathetic detachment when describing the misfortunes of his characters. Chekhov’s work in the genre has influenced canonical writers as diverse as Raymond Chandler, Franz Kafka, and Ernest Hemingway.
Essential Facts
- Chekhov’s grandfather was a serf who bought his freedom, and his father worked in and owned a grocery shop.
- As a young man, Chekhov was profoundly influenced by Russian literary giant Leo Tolstoy. Tolstoy, however, did not later return the admiration: he reportedly hated Chekhov’s plays.
- After Chekhov graduated from Moscow University in 1884, he practiced medicine for several years.
- One of his most famous plays, The Seagull, was a complete flop when it premiered in St. Petersburg in 1896; however, it caught the eye of two very important men: Constantin Stanislavski and Vladimir Nemirovich-Danchenko. When the two formed the Moscow Art Theatre two years later, they produced The Seagull to great acclaim. This artistic relationship became the most important of Chekhov’s life.
- Chekhov battled tuberculosis for most of his short life. He eventually succumbed to the disease in 1904 at the age of 44.
Recommended Resources
All Resources
- Anton Chekhov
- Anton Chekhov - Dictionary of World Biography: The 19th Century
- Anton Chekhov Criticism
- Anton Chekhov Drama Criticism
- Anton Chekhov Short Story Criticism
- Critical Survey of Drama
- Critical Survey of Short Fiction
- Cyclopedia of World Authors
- Gooseberries - Masterplots II: Short Story Series
- Gooseberries eText
- Gooseberries Short Story Criticism
- Gooseberries Study Guide
- The Cherry Orchard - Book Review
- The Cherry Orchard - Literary Characters
- The Cherry Orchard - Literary Places
- The Cherry Orchard - Masterplots
- The Cherry Orchard - Twentieth-Century Literary Criticism
- The Cherry Orchard eText
- The Cherry Orchard Study Guide (eNotes)
- The Darling - Masterplots II: Short Story Series
- The Darling eText
- The Darling Study Guide
- The Duel - Literary Characters
- The Kiss - Book Review
- The Lady with the Dog (1959)
- The Lady with the Dog - Literary Characters
- The Lady with the Pet Dog eText
- The Lady with the Pet Dog Study Guide
- The Oxford Companion to English Literature Article on Anton Chekhov
- The Oxford Companion to Shakespeare Article on Anton Chekhov
- The Oxford Dictionary of Plays Article on Anton Chekhov
- The Oxford Dictionary of Plays Article on The Cherry Orchard
- The Oxford Dictionary of Plays Article on Uncle Vanya
- The Seagull (1971)
- The Seagull - Book Review
- The Seagull - Literary Characters
- The Seagull - Literary Places
- The Seagull - Masterplots
- The Seagull - Twentieth-Century Literary Criticism
- The Seagull eText
- The Seagull Study Guide
- The Steppe - Literary Characters
- The Three Sisters (1965)
- The Three Sisters - Book Review
- The Three Sisters - Literary Characters
- The Three Sisters - Literary Places
- The Three Sisters - Masterplots
- The Three Sisters - Twentieth-Century Literary Criticism
- The Three Sisters eText
- The Three Sisters Study Guide
- Uncle Vanya - Book Review
- Uncle Vanya - Literary Places
- Uncle Vanya - Literary Places
- Uncle Vanya - Masterplots
- Uncle Vanya eText
- Uncle Vanya Study Guide (eNotes)
- Ward Six
