Art | Introduction
French playwright Yasmina Reza garnered international acclaim with her play Art (1994), for which she received the 1998 Lawrence Olivier Award for best comedy and the 1998 Antoinette Perry (Tony) Award for best play, as well as Molière awards for best author, best play, and best production.
Art concerns the cataclysmic effect on three friends, Serge, Marc, and Yvan, when Serge purchases an expensive work of abstract art—a large painting consisting of white lines on a white canvas. As the three men engage in an ongoing debate over the value of the painting, emotions run high and the conflict escalates to the point of nearly destroying a long-standing friendship.
At one level, the debate over the painting in Art revolves around a question of aesthetic values, weighing the significance of modern abstract art in comparison to more traditional representational art. At another level, the purchase of the painting by Serge comes to symbolize a deeper rift in his friendship with Marc, a piece of concrete evidence that the two of them have grown apart. Yvan attempts to play the part of mediator between Serge and Marc but is inevitably drawn into the conflict at a deeper level.
Art addresses themes exploring various aspects of the nature of friendship. Most critics agree that Art is less about debates over artistic values than it is about the complexities of friendship. As Robert Hurwitt observed in a review for the San Francisco Chronicle, ‘‘Art isn’t about aesthetics but the psychological, emotional and power dynamics of friendship.’’
Art Summary
Art opens with Marc telling the audience that his friend Serge has purchased a painting. Marc describes the painting as a five-foot-by-four-foot white canvas with fine white diagonal lines painted across the white background.
At Serge’s
In Serge’s apartment, Marc and Serge look at and discuss Serge’s new painting. Serge tells Marc that the painting is by an artist by the name of Antrios and that he paid 200,000 francs (approximately $40,000) for it. Marc laughs at the painting and says it is worthless. Serge asserts that Marc knows nothing about modern art, that he does not understand it, and that he therefore is not in a position to judge the painting.
Alone, Marc addresses the audience, asserting that it is a mystery to him why Serge bought such a painting. He admits that Serge’s buying of the painting has filled him with ‘‘some indefinable unease.’’
At Yvan’s
Alone, Yvan explains to the audience that he has just started a new job as a sales agent for a wholesale stationery business and that he is getting married in two weeks.
Marc visits Yvan at his apartment, where a painting of a motel hangs on the wall. Marc tells Yvan about the white painting Serge just bought. Yvan suggests that if it makes Serge happy and he could afford to pay for it, the quality or price of the painting is not important. Marc tells Yvan that he is hurt and disturbed that Serge bought the painting.
At Serge’s
Yvan visits Serge at his apartment, and they discuss the Antrios painting. Yvan is more openminded about discussing the qualities of the painting itself than Marc was. When Serge tells Yvan how much he paid for the painting, they both share a hearty laugh. Serge tells Yvan that he resents Marc’s response to the painting because of his tactlessness, insensitivity, and tone of smugness in expressing his opinion about it.
At Marc’s
Yvan visits Marc at his apartment, where a landscape painting hangs on the wall. Yvan tells Marc that he saw Serge’s new painting and that he did not like it, nor did he hate it. Marc asks Yvan if Serge’s painting makes him happy.
Alone, Yvan states that the painting does not make him happy but that he is not the kind of person who can really say he is happy about anything.
Alone, Serge asserts that, as far as he is concerned, objectively speaking, the painting is not white, that it has a white... » Complete Art Summary
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