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Antony and Cleopatra | Introduction
Antony and Cleopatra is one of Shakespeare's best known later tragedies. Written about ten years after Julius Caesar, Antony and Cleopatra portrays actual events and persons from Roman history, but unlike Julius Caesar it also embodies the love story of its title characters. For the historical background, plot and intimate details of the affair between the Roman general Antony and the Egyptian queen Cleopatra, Shakespeare drew upon the ancient Roman historian Plutarch's Lives; in fact, the description of Cleopatra upon her barge presented by the character Enobarbus in the play (II.ii.190-225) is nearly a word-for-word translation of a passage from Plutarch.
In Antony, Cleopatra, and Augustus Caesar, Shakespeare depicts characters that are larger than life, all three of the main figures commanding "planetary" status as rulers of the world and instruments of its destiny. Antony and Cleopatra is a very involved play, featuring rapid shifts between Cleopatra's palace in Alexandria, Egypt and Antony's homeland in Rome, along with two major battlefield sequences. There are in fact thirteen scenes in Act III and fifteen in Act IV. While some nineteenth and early twentieth century critics complained about the awkward structure of the play, recent interpretation has argued that this relentless movement in the middle of the play creates dramatic tension and reinforces the global scope of what is occurring on stage.
Antony and Cleopatra stands as one of Shakespeare's most poetic plays. It is noted for its evocative word paintings and vivid hyperbole. It is also regarded by many as a problem play, presenting as it does the ambiguity and ambivalence of life without providing clear or comfortable answers. The two lovers presented in the play may be world leaders, but they are also, after all, only human beings—flawed and aging ones at that. We as human beings share their mortality; many of us recognize their strong feelings of jealousy, love, shame, and insecurity. Despite their historical grandeur and thanks to Shakespeare's sensitive portrayal of them, Antony and Cleopatra are no more—and no less—extraordinary than we are.
Antony and Cleopatra Summary
After the battle at Philippi, Antony went to Egypt and began a romance with Cleopatra. Messengers from Rome arrive at Cleopatra’s court, demanding Antony’s immediate return to Rome to aid in the fight against Sextus Pompeius and upbraiding him for his dereliction of the official duties of a triumvir. Antony argues that he is not needed in Rome, but he does return and marries Octavius’ sister Octavia. A meeting between Pompey (Sextus Pompeius) and the triumvirs results in a standoff, in which Pompey gets the islands of Sicily and Sardinia in return for ceasing the attack on Rome and the piracy in the Straits of Messina. Antony and Octavia move to Athens. Later, Octavia, aware a serious controversy is arising between her husband and her brother, returns to Rome to try to heal the... » Complete Antony and Cleopatra Summary
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- Antony and Cleopatra: Introduction
- Antony and Cleopatra: Summary
- Antony and Cleopatra: William Shakespeare Biography
- Antony and Cleopatra: Reading Shakespeare
- Antony and Cleopatra: List of Characters
- Antony and Cleopatra: Historical Background
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Antony and Cleopatra: Summary and Analysis
- Act I, Scenes 1 and 2: Summary and Analysis
- Act I, Scene 3: Summary and Analysis
- Act I, Scenes 4 and 5: Summary and Analysis
- Act II, Scenes 1 and 2: Summary and Analysis
- Act II, Scenes 3, 4, and 5: Summary and Analysis
- Act II, Scenes 6 and 7: Summary and Analysis
- Act III, Scene 1: Summary and Analysis
- Act III, Scenes 2, 3, and 4: Summary and Analysis
- Act III, Scenes 5, 6, and 7: Summary and Analysis
- Act III, Scenes 8-11: Summary and Analysis
- Act III, Scenes 12 and 13: Summary and Analysis
- Act IV, Scenes 1, 2, and 3: Summary and Analysis
- Act IV, Scenes 4, 5, and 6: Summary and Analysis
- Act IV, Scenes 7, 8, and 9: Summary and Analysis
- Act IV, Scenes 10, 11, and 12: Summary and Analysis
- Act IV, Scenes 13 and 14: Summary and Analysis
- Act IV, Scene 15: Summary and Analysis
- Act V, Scenes 1 and 2: Summary and Analysis
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Antony and Cleopatra: Quizzes
- Act I, Scenes 1 and 2: Questions and Answers
- Act I, Scene 3: Questions and Answers
- Act I, Scenes 4 and 5: Questions and Answers
- Act II, Scenes 1 and 2: Questions and Answers
- Act II, Scenes 3, 4, and 5: Questions and Answers
- Act II, Scenes 6 and 7: Questions and Answers
- Act III, Scene 1: Questions and Answers
- Act III, Scenes 2, 3, and 4: Questions and Answers
- Act III, Scenes 5, 6, and 7: Questions and Answers
- Act III, Scenes 8-11: Questions and Answers
- Act III, Scenes 12 and 13: Questions and Answers
- Act IV, Scenes 1, 2, and 3: Questions and Answers
- Act IV, Scenes 4, 5, and 6: Questions and Answers
- Act IV, Scenes 7, 8, and 9: Questions and Answers
- Act IV, Scenes 10, 11, and 12: Questions and Answers
- Act IV, Scenes 13 and 14: Questions and Answers
- Act IV, Scene 15: Questions and Answers
- Act V, Scenes 1 and 2: Questions and Answers
- Antony and Cleopatra: Themes
- Antony and Cleopatra: Character Analysis
- Antony and Cleopatra: Principal Topics
- Antony and Cleopatra: Essays
- Antony and Cleopatra: Criticism
- Antony and Cleopatra: Selected Quotes
- Antony and Cleopatra: Suggested Essay Topics
- Antony and Cleopatra: Sample Essay Outlines
- Antony and Cleopatra: Modern Connections
- Antony and Cleopatra: FAQs
- Antony and Cleopatra: Bibliography and Further Reading
- Antony and Cleopatra: Pictures
- Copyright
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