Dec 24, 2009
Ernest Hemingway is a legendary figure in twentieth-century American literature. His reputation stems not only from his body of written work, but from his adventurous and amorous lifestyle. His crisp, almost journalistic prose style, free of the long, sometimes flowery language common to much of the literature that appeared before him, has won him great acclaim and some of the highest literary honors: The Pulitzer Prize, which he won for his novella, The Old Man and the Sea in 1952; the Nobel Prize for Literature, which he received in 1954; and the Award of Merit from the American Academy of Arts and Letters, which he also received in 1954.
Despite these accolades, Hemingway is not without his critics. Some scholars complain that his tough, often violent subject matter is limited and without insight, and that his female characters, in particular, lack dimension. His devotees claim that behind his work’s often tough, macho exterior lurks a complex world of wounded, complicated human beings. His short stories are among those most frequently studied and anthologized, especially ‘‘The Snows of Kilimanjaro,’’ ‘‘A Clean, Well Lighted Place,’’ ‘‘The Gambler, the Nun, and the Radio,’’ ‘‘The Short, Happy Life of Francis Macomber,’’ and ‘‘In Another Country,’’ which was first published in 1927 in Scribner’s magazine. His novels include such American classics as The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea. He has also written several works of nonfiction, including Death in the Afternoon, about bullfighting, and The Green Hills of Africa, about big game hunting.
‘‘In the fall the war was always there, but we did not go to it anymore.’’ So begins Ernest Hemingway’s short story, ‘‘In Another Country.’’ The war he refers to is World War I; the setting is Milan, away from the scene of the fighting. The narrator describes the city he passes on his way to the hospital to receive physical rehabilitation for the leg wounds he received while at the front. Though the narrator remains unnamed, scholars generally agree the young man is Hemingway’s alter ego, Nick Adams.
At the hospital, the narrator, a young man, sits at a machine designed to aid his damaged knee. Next to him is an Italian major, a champion fencer before the war, whose hand has been wounded. The doctor shows the major a photograph of a hand that has been restored by the machine the major is using. The photo, however, does not increase the major’s confidence in the machine.
Three Milanese soldiers, the same age as the narrator, are then introduced. The four boys hang out together at a place called Cafe Cova following their therapy. As they walk through the city’s Communist quarter, they are criticized for being officers with medals. A fifth boy, who lost his nose an hour after his first battle, sometimes joins them. He wears a black handkerchief strategically placed across his face and has no medals.
One of the boys who has three medals has
lived a very long time with death and was a little detached. We were all a little detached, and there was nothing that held us together except that we met every afternoon at the hospital. Although, we walked to the Cova through the... » Complete In Another Country Summary
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