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All the Pretty Horses (Magill’s Literary Annual 1991-2005)

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Cormac McCarthy’s novels are about wanderers, boys and men cut adrift from moorings, whether geographical, emotional, or moral. Black destiny hovers. And McCarthy serves it up in a prose style unashamed of being, now and again, purple. A persuasion of the depths around and in the characters requires a proper rhetorical ballast. Sometimes it sounds Faulknerian, sentences with no ending, swirling contextually and rhythmically. Sometimes it is Hemingway, pronouns repeated, conjunctions holding off periods. The matter borne by this artfulness is darkness, curse, and the simultaneous...

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