Jan 1, 2010
Nearing his eightieth year, Saul Bellow can look back at his fifteen or so novels with a deep sense of a job well done. No other American writer of the later twentieth century will leave behind a more distinguished and inspiring oeuvre. To make such claims for Bellow in the mid-1990’s may strike contemporary readers as somewhat exaggerated. Later novellas such as A Theft (1989) and The Bellarosa Connection (1989) struck many readers as representative of a decline in inventiveness that was already apparent in More Die of Heartbreak, Bellow’s last true novel,...
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