LeRoi Jones/Amiri Baraka and the limits of open form.
| Publisher | African American Review |
| Publication | African American Review |
| Subject | Ethnic, cultural, racial issues/studies |
| Format | Magazine/Journal |
| ISSN | 1062-4783 |
| Issues per Year | 4 |
| Volume | 37 |
| Issue | 2-3 |
| Published | 2003-06-22 |
| Role | Type | Name |
| Person | n/a | Amiri Baraka |
| Author | n/a | Ben Lee |
Only ideas,
and their opposites.
Like,
he was really
nowhere. ("A Poem for Speculative Hipsters," Transbluesency 110)
In a well-known passage from his autobiography, Amiri Baraka--then called LeRoi Jones--remembers a moment in which his own fascinations run headlong into the sort of ill-defined ideological wall with which culture can tend to divide us. Jones at this point is not yet a published poet, playwright, and critic, but rather a twenty-two-year-old college dropout stationed in Puerto Rico, a "weather gunner" in the U.S. Air Force. Just as feelings...
[This journal article is 10020 words long]
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